Literature and Image: the Colors and Setting in the Fall of the House of Usher by Edgar Allan Poe

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Literature and Image: The Colors and Setting in The Fall of the House of Usher by Edgar Allan Poe The process of delving into the black abyss is to me the keenest form of fascination. - Howard Phillips Lovecraft The Fall of the House of Usher is possibly the most famous tales of Edgar Allan Poe. First published in 1839 in Burton's Gentleman's Magazine, is part of the set of tales of horror and gothic in which Poe is well known. The work possesses a set of characteristics typical of gothic literary genre: a haunted mansion, a landscape dark and a mysterious illness. These Gothic elements are easily identifiable, however, much of the work that inspires horror, lies in the color palette and the way the scene is presented to us. It is through this essay, and without further ado, we propose an image analysis in the literature, particularly the theme of colors and scenarios, in order to better understand which colors prominent in the work, in what form arise in the scenario, its symbolism and the feelings and ideas that could awaken in the reader. In a first analysis we indentificar black, gray, red and white as the predominant colors in the scenarios of The Fall of the House of Usher. Other colors are also present in the work: various shades of brown, green and yellow throughout the work. However, the presence of these colors is considerably lower compared to the first, and which are present in the poem The Haunted Palace - poem whose publication is chronologically prior to this story and it was eventually incorporated in this work during the design of this - and not in the narrative of this tale. That said, and moving to an analysis of the range of colors in the work, we can immediately verify that the presence of black is constant throughout the narrative. What is not altogether surprising, given that black is a color across the entire Gothic work of Poe.

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