In the Folk Museum

460 Words2 Pages
In the folk museum A folk museum celebrates the lives and lifestyle of a bygone era. The poet feels disconnected from the experience – the almost deathly scene betrays his, and others, lack of interest. The museum’s survival relies on visitors but there is no hiding from the truth, there is a sombre gloom, “A darkness in the rooms” that “betrays” or gives up the secret that there is no interest in this past and, other than him, there aren’t any visitors. The feelings of alienation continue. He does not experience a connection with this representation of the past – the exhibit to him is a collection of words that are used to label items as shown in the accumulation of, “Hay knife, draining plough, /shoulder yoke, box iron”. “Heritage” implies a rich past that has been bequeathed to him but he rejects it as it, “isn’t mine”. The setting is most likely the area around Armidale in the New England Tablelands so not only is it a heritage that is remote, as it belongs to the past, but culturally he cannot connect to this past. Human contact occurs with reference to the caretaker but notably no verbal connection takes place (“without looking up”) – she becomes part of the exhibit – curiously she may sit besides a winnowing machine but she does not interact with it, instead she knits which is still a productive activity but she blends into the exhibit as with the use of a simile, the colour of her hair is compared to another item, a clay bottle. Once again the lack of life can be seen in how this colour can be juxtaposed to the autumn colours which wait by the door. Using a simile, we are also told that the bottle is as, “cold as water to touch” which also reflects her lack of warmth. Life intrudes with the singing that celebrates salvation and therefore ‘the future of Man’. Considering Skrzynecki’s Catholic father this is meant to be reassuring. Even
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