How Do Composers Explore the Causes of Tragedy?

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The texts Othello by William Shakespeare (1622), We Are Going by Oodgeroo Noonuccal (1964) and Paul Keating’s Redfern Address (1994) are all defined as tragedy texts and can be used to examine the way composers utilise the causes of tragedy to communicate with their audience. This essay will examine the literary devices used by these composers to show the multiple causes that can create a tragedy.
Tragedy is defined as an event or episode that has the potential to impact on an individual and develop a sense of pity, loss or injustice from the audience, to name a few. It can affect the identity of an individual, the culture and relationships within a society and an audience’s values and beliefs. The causes of tragedy are generally articles that evoke what is known as pathos from an audience - for them to sympathize with the certain losses that a character may experience. There are numerous emotions associated with pathos and thus, numerous causes to tragedy.
The concept of tragedy can be seen clearly in the Shakespearean play Othello, in which the great and noble character of general Othello misplaces his natural fairness and composure to become a jealous, suspicious and easily deceived fool at the hands of his lieutenant.
Othello begins on a dark street well into the night, with conspirators Iago and Roderigo plotting their revenge against “the Moor”. Here they use derogatory language such as “thick lips” and “Barbary horse” to highlight the hatred of his race. The term "Barbary horse" is an direct allusion to the famous horses of the Arab world, but also playing on the associations of 'barbarian' with savagery and paganism. These terms develop a negative view of Othello as the audience sympathizes with the apparent protagonists.
Othello's negative light is developed further as Iago and and Roderigo make comparisons between Othello and Desdemona's love as "an
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