When actions are to be taken into consideration by him it seen that he situation is horrible, which Hamlet feels he has no control over. He allows his anger towards Claudius to let him fall into a madness. The depression Hamlet is encountering is due to the actions that King Hamlet is demanding of him. He cannot complete the task asked of him of his procrastination, which causes him to nearly take his own life. “To be or not to be, that is the question; whether’ tis nobler in the mind to suffer...” (Shakespeare Act 3, Scene 1).
"Soliloquy” is used for character revelation, by which the dramatist conveys the secret thoughts and/or intentions of the character, to the audience or the reader of the drama, but preserves their secrecy from the other characters of that drama. Shakespeare's soliloquies are projected for the same. In the first soliloquy, Hamlet expresses his pain for his father’s death and his unhappiness towards his mother marrying his uncle, within such a short time of his father’s death. Hamlet expresses his bitter feelings against the disloyalty of his own mother in particular and womanhood in general. he expresses his sourness against the treachery of his uncle.
The act begins with Polonius sending Reynaldo to France to spy on his son, Laertes, and then Ophelia enters to report to Polonius about Hamlet’s crazy behavior. Polonius assumes that Hamlet has gone mad due to Ophelia’s rejection. I believe this scene [could] be significantly cut short to display only Polonius’s advice on how to inquire about Laertes, and the fact that Hamlet has been acting crazy. Polonius gives Reynaldo specific pointers when making inquires about Laertes. This helps to develop the theme of reality versus appearance, which is shown throughout the play.
The character of Claudius has been developed in this scene. Previously, the only suspicion cast upon Claudius was by Hamlet and the Ghost, who may not sound very convincing because of the fact that the audience may be convinced that the former is deranged and the latter is a malevolent spirit. However, in Act III Scene I it is Claudius himself who reveals that he has a tainted soul in “Is not more ugly to the ting that helps it/ Than is my deed to my most painted word/ O heavy burden!” the use of the visual imagery “harlot’s cheek” and “beautied with plast’ring art” suggests that Claudius has a dark secret. The use of “painted word” suggests that he is lying and “O heavy burden” goes to show that he is distressed by it. Shakespeare’s characterisation of Ophelia as a tragic heroine takes shape from Act III Scene I.
Iago, who is known as the Machiavellian villain perpetuates the tragedy by bringing forward a hamartia or a fatal flaw from Othello. As soon as the play begins, Shakespeare used dramatic irony to illustrate Othello’s view of Iago as an honest and trustworthy man through his repeated description of “honest Iago” and “a man of exceeding honesty” to the audience. Of course that is not the case, the audience views Iago to be “Janus-faced” and deceptive through his constant declaration of “I am not what I am” and how he “hates the moor”. This juxtaposition is created so that the audience can empathise with Othello. I know I can definitely empathise with him.
This ironic hindsight into the war also gives the audience a sense of the inspector's wisdom. He is portrayed as the conscience because all throught the play the Inspector is seen as guiding the Birling's away from sin, trying to teach them selflessness and responsibilty for others, in this sense the style of the play is one of morality.We see an opinion of responsibility through the inspector's attitude torwards the sinful actions of the Birling family. He attempts to make Sheila accept her share of the blame 'you're partly to blame'. The Inspector's speech on page 56 of the play clarifies for the audience and
Madness in Hamlet and King Lear The subject of madness is a major theme in two of Shakespeare’s most well-known tragedies, “Hamlet” and “King Lear”. In both of these plays, a character feigns insanity to carry out a motive - Hamlet and Edgar respectively. However, while it is made quite clear to the audience that Edgar is only pretending to be a mad beggar (“Whiles I may escape I will preserve myself, and am bethought to take the basest and most poorest shape that ever penury, in contempt of man brought near to beast”), it is somewhat less clear whether Hamlet has crossed the line and lost control of his “antic disposition”. Shakespeare gives evidence which suggests that Hamlet is sane by having three other men also witness the manifestation of the ghost of Hamlet’s father. If Hamlet were to have seen his father’s ghost by himself, there would be a greater argument for him being insane from the outset of the play.
Hamlet’s soliloquies unfold the internal dilemma and mental obsession of the chief speaker. They lend an insight into Hamlet’s contemplative nature and the problem of procrastination. Most of all, they mark the movement from his inability to overcome his scholarly nature to his final resolution to become an avenger. The audience comfortably gets sundry approach to the psyche and mindset of Hamlet. Hamlet’s first soliloquy gives the first true insight into Hamlet’s inner turmoil.
It provides the story with a point to change character smoothly to the audience and add dimension to the character creating very static characters. In the first soliloquy in Hamlet during Act two, scene two, Hamlet discusses the speech the player has just performed for him, and how angry he is that this player who was able to feel such great emotion for someone who meant nothing to him, when Hamlet couldn’t properly express his emotion and he had something terrible happen to him. This hatches the plan of the play in Hamlet’s mind and he finds out that he will be able to see if Claudius is guilty or not when he watches it. When he questions his character stating “But I am pigeon-liver’d and lack gall”(2.2.583) he admits his cowardly behavior and that if he had courage he would have “fatted all the region kites,”(2.2.585). By the end of the soliloquy he comes up with a plan, to make sure that Claudius definitely killed late Hamlet, and the Ghost is not a damned spirit here to taunt him.
If Hamlet were sane he would have shown an emotional reaction. However he reveals nothing, - “Thou wretched, rash, intruding fool, farewell”. The powerful and hurtful words used in this sentence clearly