Gattaca & 1984

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Gattaca (1997), a science fiction drama film directed by Andrew Niccol and George Orwell’s 1984 both prose a number of concerns and issues. Each text illustrates a dystopian world featuring repressive social control systems, attempting to create a perfect society – that is, a Utopia as well as exploring the issue of conformity vs. rebellion. Throughout the texts, both characters keep their profiles and innate thoughts on low in hope to conceal their inherent intentions to infiltrate the societal strains compelled on them by the dominant government or corporation. These issues are instituted in Gattaca through the use of film techniques – lighting, background, props and costuming. In contrast, Orwell demonstrates these with the use of literary techniques and an unornamented writing style, reflecting the nature of the world of Oceania in 1984. Gattaca is dominated by the pursuit of genetic perfection where people are engineered to be born with little or no disabilities and discrimination is ‘down to science’. Those conceived by natural birth were considered the degenerates of society known as ‘faith births’, ‘god-children’ and ‘in-valids’. The world of Gattaca establishes the idea that only elitists can qualify for professional occupations and be considered worthy to work at Gattaca whilst ‘in-valids’ are only eligible for menial jobs such as cleaning. The protagonist, Vincent Freeman, disguises himself with a new identity as Jerome Morrow. He rebels against the status quo by disapproving the theory of elitism and proves of his supreme willpower although ironically, he is the weakest character physically. His determination and willpower play a large role in his willingness to rebel against the social norm, to accomplish what nobody believed he could – “You wanted to know how I did it. That’s how I did it, Anton. I never saved anything for the swim back”.

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