Film Analysis of the Searchers and Deadman

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Comparing and contrasting the opening and closing scenes of the films “The Searchers” and “The Dead Man” Student’s Name Name of Lecturer Name of institution In The searchers, John Ford uses some themes that are very captivating to the viewer at different first parts of the film. For instance, there is a funeral at the beginning of the film whereby there are a cluster of mourners marching up the hill to the grave. All the mourners sing Ford’s favorite hymn “Shall we gather at the river.” It is paradoxical that the song is also sung again in the wedding scene, these are two contrasting events but the author has used the same song to depict the paradox in the two scenes. There is a dramatic first sight of adult Debbie also at the beginning of the film running down the side of a sand dune behind Ethan (Eckstein, 2004). Ironically, Ethan does not see her. The themes in films are depicted by the cinematography adopted by the director. The Searchers and The Dead Man are examples of films that have used appropriate filmmaking techniques in passing the intended messages to the audience. The opening scene in The Searchers introduces the director of the film as John Ford. The sound effects, presented in the form of instruments playing in the background help create the mood for the particular scene. It helps draw the attention of the audience as it is rhythmic and intense. The landscape shown in the scene is outstanding as it represents the situation in Texas in 1868. The woman trying to view outside has intense facial expressions as she seems to be straining to see further in the fields. The introduction of her companion creates suspense for the viewer as one wonders what the two could be trying to figure out from further into the fields. The theme of racism is articulated symbolically when the scene begins with a dark room whose window is opened bringing in the light
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