Fahrendite 451 Mirror Imagery Explained

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In Fahrenheit 451 Ray Bradbury creates an unthinking society so compulsively hedonistic that it must be atom-bombed flat before it ever can be rebuilt. Bradbury's clearest suggestion to the survivors of America's third atomic war "started. . . since 1990" (73) is "to build a mirror factory first and put out nothing but mirrors. . . and take a long look in them" (164). Coming directly after the idea that they also must "build the biggest goddamn steam shovel in history and dig the biggest grave of all time and shove war in and cover it up" (164), the notion of the mirror factory might at first seem merely a throwaway line. Indeed, John Huntington suggests, with no little justification, that the whole passage is "confuse[d]" by its "vagueness, ambiguity, and misdirection" (138). Despite that, however, Bradbury shows throughout Fahrenheit 451 the necessity of using a metaphorical mirror, for only through the self-examination it makes possible can people recognize their own shortcomings. The novel's first use of the mirror, a failed one, emphasizes the need for selfexamination. After a book burning, Guy Montag, the unsettled "fireman," knows "that when he return[s] to the firehouse, he might wink at himself, a minstrel man, burnt-corked, in the mirror" (4). Montag's winking acceptance of himself here is not reflective but reflexive, for his glance is superficial rather than searching. Montag has the opportunity truly to examine himself, and if he did, he might see a glorified anti-intellectual stormtrooper. However, the situation, the surroundings, and even the mirror itself are too familiar, and he does not see himself as he really is. Instead of recognizing the destructiveness of his book-burning profession, his gaze is merely one of self-satisfaction. Bradbury uses Clarisse, Guy's imaginative and perceptive seventeen-year-old neighbor, as a metaphorical mirror to

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