Dickens' Great Expectations Reflects the Social Realities of 19th Century Britain

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'Great Expectations – in plot, characterisation and moral message – reflects the social realities of nineteenth century Britain' `Great Expectations` was published between 1860 and 1861 on the weekly periodical `All the Year Round`, founded by the author himself. It is considered one of his short more intense and elegant novels, as well as one of the most popular. It is the story of the orphan Philip Pirrip called “Pip” and of his life, from childhood to adulthood, according to the scheme also followed in another famous work, `David Copperfield`. The plot begins in the Christmas Eve of the year 1812, when Pip is seven years and ends in 1840. This essay wants to show that, despite formally having the peculiar characteristics of the “Bildungsroman”, the importance of the Dickens' masterpiece has to be found in its belonging to the social novel, which marked not only the Victorian era, but also the European novelistic, especially in France and Russia: about this, Dickens, and along with him Stendhal and Balzac, “use the plot as a means of dissecting the post-Napoleonic war and exposing its moral poverty[…] communicate their horror of a materialistic society, but they are not without admiration for the possibilities of the new social mobility” (1)(2). Charles Dickens is the protagonist of the second half of the nineteenth century, where the industrialized and imperialistic Victorian era reached the peak of its power, producing in the meanwhile disparities and contradictions, with the definitive triumph of the bourgeoisie class and the birth of the industrial capitalist nation. And the locations used to represent this phenomenon are emblematic: on the one hand, the rural economy, with its values intended to be anachronistic shortly thereafter, despised and reviled; on the other hand, the capital of the largest empire ever known, the most economically advanced city,

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