Design Proposal - a Streetcar Named Desire

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The production of the play should allow a good relationship between the actors and the audience creating good attentions of the play and the understanding of the plot, themes and messages conveyed in the play. The general lighting should allow focus with the use of shadow, and colour. Lighting has the sense of warmth or coolness of the scene and highlights the significant importance. The lights consider practical lighting, such as whether the actors can be seen and whether special effects are achievable. Lighting contributes to the mood and atmosphere; which assess the effect on the set and the costume designs. With the lanterns, the lights should start with the colour of white and throughout the play; it would gradually start to get darker as it’s connecting to Blanche and her illusions growing. So the more Blanche fantasizes, the darker the light will get to set out the mood of the scene and the main character. Locations of action should be in the centre of the stage where the light follows them as known as profile spots, which concentrates when saying the scripts and is essential when acting monologues. The set appearance and style should account the requirements of the directional concept. It should let the audience look at the stage space and the use of vertical and horizontal lines to have people eyes meet on the props use. Example the lines of the bricks and fences should all line up to the staircases, which is an significant item in scene 3 where Stanley cries out for Stella’s forgiveness. The set design should have the 1950s look and a poor, working class area by having broken glass windows, broken fence bars etc. The furniture such as the poker table would give the characteristics of the household from the characters. The period of the 1950s is important; the costumes will be designed to be as suggestive to the time setting. Hairstyles should

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