Comparing Agape and Eros through a Contrast of Marvell's "To His Coy Mistress" with Millay's "Women Have Loved Before As I Love Now," "Love is Not Blind," and "I, Being Born a Woman And Distressed"

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English is a silly language. One may use the ineffable concept of love to describe even the simplest generic pleasures and say, for example, "I loved that meal." Similarly, modern society has tainted the concept with the euphemism, "Making love," which insinuates that the sexual act creates love. The speaker in Andrew Marvell's poem, "To His Coy Mistress," likewise places an overzealous emphasis on intercourse. Conversely, speakers in the works of Edna St. Vincent Millay balance the ideas much more fairly. As an illustration of this, the first stanza of "To His Coy Mistress" will be compared to "Women Have Loved Before As I Love Now;" and the second to "Love is Not Blind." The stance on the importance of procreation in Marvell's poem will finally be compared to that of Millay's "I, Being Born A Woman And Distressed." Juxtaposing the works of these two poets, one must regard the treatment of sexuality in Marvell's poem as not only offensive to women, but also offensive to love itself. It is truly ironic that the beginning of "To His Coy Mistress" is actually tantamount with the concepts in "Women Have Loved Before As I Love Now." Both speak of a grand love. Millay's speaker compares herself with Cleodhna, a figure in Irish folklore similar to the Classical Sirens, and also with Helen of Troy, the woman whose love devastated Greece and Troy. Marvell's protagonist speaks of a love that has existed since the Flood, which Noah survived, and professes that it will continue until the End of Days. He refers to his as a “vegetable love,” (11) perhaps referring to the nurturing of a vegetable to make it flourish, or maybe referring to the vegetative part of a plant as opposed to the fruit or reproductive part. However, as the true intentions of Marvell's speaker are revealed, we see that it is not "Love like a burning city in the breast," (8) as it is in "Women Have

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