Blade Runner Analysis

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Blade Runner Analysis English 102 Ms. Rucker Abstract In the movie Blade Runner, we explore what it means to be human. We view this idea through the lives of Replicants and Deckard, an agent sent to track down and terminate rogue Replicants. Like most of the best science fiction, Blade Runner is not really concerned with pseudo-scientific surrealism. Despite the presence of aliens, alternate realities, or fantastical futures, the best science fiction asks, what does it mean to be human? What is the nature of consciousness? Of life? In exploring these issues, a science fiction universe can have an advantage over a “standard” fiction setting, because it gives writers greater freedom and a larger universe in which to pose their questions. The best science fiction investigates the essence of life using conflicts out of the bounds of our contemporary world as a catalyst. Because science fiction is inherently speculative, sometimes one must forgive small holes in a premise. It’s inescapable–even the most scientific science-fiction must ultimately resort to the imagination to conjure up possible futures and technological marvels. If you look closely, all science-fiction premises are flawed in some way. Certainly in Blade Runner there are a few problematic questions. For example, why must androids be subjected to a complicated emotion test to determine whether they are human? Why isn’t a skin sample or an x-ray enough? A single scale and a microscope is enough to determine that a snake is artificial. One could argue that the androids are completely organic machines (the film suggests this, in fact), but that is inconsistent with their immunity to boiling water or extreme cold. Such small discrepancies exist in most science fiction, and they don’t really matter, as long as the
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