Anselm Reyle Essay

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Anselm Reyle Whether it is an old wagon wheel, a crumbled aluminum foil, some found neon lights, or a simple and ordinary old artifact that can even be found on streets or markets, Anselm Reyle will use them and apply them into his art work to create extraordinary pieces of art. Anselm Reyle, a contemporary German artist, was born in Tubingen in 1970. Reyle was raised by an artistic family, where his mother was a talented painter. He began his studies at the Stuttgart Academy before transferring to the Karlsruhe Academy, where he was told that his painting skills were not sufficient and that he should remain on making only minimalist or conceptual art; despite all these acknowledgments, he did not cease from achieving his goals, and currently he works on monumental art. Reyle’s great range of art extends from painting and sculpture to even installations. He considers Duchamp’s concept of ready-mades and employs them into his art work. They might be everyday objects or ideas that already exist, but once they are modified and applied to his projects they become his own. His well known stripe paintings (see figure 1) as well as his paint-by-numbers series (see figure 2), and his resplendent installations with found industrial objects and neon lights are the most distinguished from his compositions. You might have noticed already how Reyle’s art work has colors and textures that for an instance “[do not] fit, or work against other elements of the piece, or [do not] work at all in the conventional sense of tasteful composition;” (ref 3) hereby creating his art work special and unique. It was not too long until he had constructed an incredible achievement in his practices of painting. In his art piece Untitled, (2007) (see figure 1) it is visually possible to distinguish this notion of being in contrast from the colors and textures that were applied. It is like if
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