The main plot, which is Kabuo’s trial, reveals various scenes that reveal racism. Initially, from the beginning of the novel Kabuo's trial gives the audience a hint of the quiet racism that is present in the town. The courtroom is already bias towards Kabuo Miyamotos’ guilt feeling that he is already guilty. Throughout the novel, the audience encounters more examples of racism from the Americans. Etta Heine's, Kabuo’s neighbour, views on Japanese Americans caused her to hate selling her family land to the Miyamotos.
In the last stanza, she claimed that “the message of the Yew tree is blackness-blackness and silence.”, showing that the nature has rejected her and that the establishment failed. Slyvia Plath could not even communicate with the substitute of being- nature. Slyvia Plath also established a connection with the moon as her mother. However, her mum’s relation with her is seen to be very superficial and distant. From “ The moon is no door”, we know that her mum is not someone whom she can escape to from her problems, not someone whom she can rely on.
There will be a merry company in the forest; and I well-nigh promised the Black Man that comely Hester Prynne should make one (Hawthorne Rubio 2 113).” She plays up this label usually applied to her so she can end her life soon and thus be with her Lord and beloved husband. Another way Mistress Hibbins shows this theme is that, she the governors sister, is allowed to go about her business unreproached even thought it is believed by the whole town
Bronte uses negative adjectives to create the feeling of loneliness and misery. In the first paragraph Bronte starts with quite an unusual sentence. Instead of what a lot of auto biographies start with (I was born in..) she starts with, “There was no possibility of taking a walk that day.” Opening the paragraph like this makes the reader want to find out more. She then goes on to say “We had been wandering, indeed, in the leafless shrubbery for hours”. The word leafless creates the image of loss and emptiness.
This seems to be very symbolic of “love at first sight.” In addition, Demetrius tells Helena that “Thou told’st me they were stol’n unto this wood. And here am I, and wood within this wood, because I cannot meet my Hermia” (p. 45). The woods are contributing to his spurning attitude and it is negatively impacting the relationship between the two. Furthermore, during the same part, Helena yells, “We cannot fight for love as men may do, we shall be wooed and were not made to woo” (p. 48) at Demetrius this as he leaves the scene. Women cannot woo guys and men should be working to show the woman that they love them because it's rather easy for women to express how they feel towards the ones we love whether it's a romantic love or not.
The reader can infer that she has no one to spend her time with. Her loneliness is apparent when she gives her fur coat human characteristics. When she takes it out, she talks like it is an old friend: “What has been happening to me? Said the sad little eyes” (6) .Her assigning life-like qualities to inanimate objects shows how isolated she feels. Her descriptions of strangers in the park also give the reader a feeling of just how alone she feels.
The author uses the character of Kabuo Miyamoto to great effect to symbolize the struggle between chance and choice. During the trial Kabuo takes a passive approach towards the situation, he surrenders to chance as he sees he’s just a ‘Jap’ in the eyes of the jury. Also his memories of WWII and what he did there (the people he killed) make him feel guilty and think that karma might be why he is accused of Carl’s death. Past experiences hinder any attempt for Kabuo to change people’s mind during the trial. When Etta Heine’s husband (Carl Heine Senior)
‘’Where was Tess’ guardian angel’’ Hardy asks at the scene in the woods, showing that god was not watching over and did not intervene to help Tess. The tone of this is almost sneering, as if Hardy believed Victorian society was narrow minded to think that there was a greater being watching over and looking after them. In this, Tess is lonely as well, because her beliefs are no longer the same as the rest of society. When she comes across the clergyman painting the sign ‘’thy damnation slumbereth not’’, she believes that the words are condemning her. However, although she believes she is guilty, she does not believe that she has sinned.
Carton’s everlasting love for Lucie Darnay achieves this change. Carton’s development communicates that people can be motivated to improve themselves to prove their love for another. When Dickens first introduces Darnay and Carton introduces the reader observes Carton longing to change himself. Carton has entered Old Bailey’s courtroom to find that the accused – Darnay – and himself have identical appearances. Carton realises that although they look alike, Darnay and himself are very different.
The yard is a place which everyone can come and sit and look up into the elm tree and wait for the breezes that never come to inside the house. They wait Dee in the yard. Her another daughter which called Maggie will be jealous of Dee’s much easier life and nervous until after her sister goes. Because she does not study, just stays at home. She will stand hopelessly in the corners, plain and sheepish, ashamed of the burn scars down her arms and legs.