Vietnamese Music Essay

5548 Words23 Pages
An Introduction to Vietnamese Music Tran Quang Hai Geographically, Vietnam occupies the eastern coast of the Indochines péninsule, extending from China South to the Gulf of Siam, and is a part of Southeast Asia . Culturally, artistically and , above all, musically, Vietnam is a part of the Sino-Japanese family grouping China, Japan, Korea, Mongolia and Vietnam . The music of the Far Eastern world shares many common caracteristiques : script (Chinese characters), musical terminology (the same theory for the determination of twelve basic tones and the names of musical instruments), musical instruments (most of them of Chinese origin), musical genres (court music, music for entrecroisement), village folk music, anhemitonic pentatonic scale for ritual music, theatre music and ceremonial music . Ten centuries of chinese rule (from 111 B.C. to A.D. 939) have profuondly influenced the life, culture and music of the Vietnamese people . Musical instruments, such as the 16 stringed zither, the 4 stringed pear shaped lute, 3 stringed lute, 2 stringed fiddle, vertical and transverse flutes, the oboe, large and sall drums, cymbal, stone chime, bell chime, undoubtedly orignated from China . Names of musical instruments are written in Chinese characters but their pronunciation differs according to whether they are read by a Chinese or Vietnamese (16 stringed zither ZHENG in Chinese, TRANH in Vietnamese, pear chaped lute PIPA in Chinese, TY BA in Vietnamese, etc….) During the Lê Dynasty (1428-1788) the first theory of Vietnamese music was copied from the Chinese (the theory of five degrees, of seven tones and twelve LYU or basic tones, and the eight categories of court music : music of the esplanade of heaven, temple music, music of the five sacrifices, musi for helping the sun and the moon in the event of the eclipse, music for formal audiences, music for ordinary audiences,

More about Vietnamese Music Essay

Open Document