The Pianist Symbolism

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“The best films allow viewers to reflect on key ideas”. To what extent do you agree with this view? Respond to this question with close reference to a film you have studied. In the film The Pianist, directed by Roman Polanski, the viewer is allowed to reflect on one of the key themes. This is the theme that humans are capable of creating great beauty and destruction. During the second world war cruelty and discrimination was widespread. This resulted in some of the most inhumane destruction known to man. During this time there were a minority of people that held on too hope and have stories of survival that are awe inspiring. The Pianist is one of those stories that focus on one mans journey for survival despite all odds. In the worst conditions…show more content…
The destruction created during WW2 was so shocking that it is still a topic of conversation today. But during this time there were some people that held on to hope and were capable of still creating art during this time. In this film the symbols of a piano and violin are used to represent beauty and art. Musical instruments are a repeated motif through this film. In a scene near the end of this film a Polish POW camp with NAZI’s as prisoners is seen. A polish musician walks past the area where the NAZI’s are kept and shouts abuse at them. “Murderers! Assassins! Look at you now! You took everything I had! Me, a musician! You took my violin! You took my soul!” His violin was the thing that kept him going through the war. It was his spirit. It gave him the strength to carry on. But when it was taken from him he was left with nothing. No hope, no soul. Beauty existed for him but when it was taken away from him he was overwhelmed by the destruction. A symbol of the destruction created in this movie is the image of strewn, abandoned suitcases and wrecked buildings. The suitcases and buildings show the remnants of peoples lives. They represent the civilization that once existed but was abandoned amongst the utter destruction of war. This can be seen in a scene where Szpilman walks through an abandoned street littered with the leftovers of peoples lives. It is an over the shoulder shot of Szpilman staggering down an abandoned street. The lines of perspective go on as far as the eye can see showing that the destruction is endless. These two symbols of beauty and destruction are contrasted in the scene with the German officer talked about in the above paragraph. Szpilman is hiding in a building the is almost completely destroyed. This house is in ruin and has been reduced to ruble. despite the condition of the building in one of the
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