The key dramatic language of drama is presented by the director creating powerful symbolism to then build on the dramatic meaning. Throughout Cosi, the lighting effects are used as a symbol. In Act 1, Scene 1, the lights highlight Lewis’ entrance into a new world, where he then associates with patients who then, help him in his learning and self-development. At first, Lewis possesses a ‘pitch black’ perspective of the world, along with the other characters of Lucy and Nick. This is a representation of their modern beliefs that mix around the politics and the war.
The Godfather – A Critical Essay "That's my family, Kay, it's not me," concludes Michael Corleone, separating himself from the infamous family at the center of Francis Ford Coppola's The Godfather. Throughout Coppola's film, Michael's beliefs transform dramatically. Specifically, his change of heart mainly occurs as a result of his evolution in philosophy and perspective, a consequence of crippling conflict within his family. The changes within Michael's character and outlook occur in stages as the film progresses, until by the end he's crystallized into a very different man. At first, he represented a decorated war hero and a civilian amidst a mafia family.
This well placed line of dialogue has a strong metaphorical presence for Gilbert. The words are something that describe the sunset but also in a sense, foreshadow Gilbert’s near future. Almost as if to say, that if he watches carefully, he will realise that things will start to change. He can break the bonds of the lifestyle he is tied to. Looking more deeply into Lasse Hallstrom’s direction, he has used a variety motifs throughout the film.
Khaled Hosseini uses tells the story in “The Kite runner” through Amir. Amir’s narration in chapter 7 is told in an emotive way by the use of imagery and different tones that conveys not only his feelings but the overall atmosphere of the settings. Hosseini uses chapter 7 as the defining moment for the rest of the novel by including important scenes that impact both Amir’s and Hassan’s future relationship. He constantly puts his hidden messages towards the beginning to reflect the end of the chapter. The conversation between Amir and Hassan has Amir’s describing that moment to indicate the nature of his relationship with Hassan.
This is with the Apotheosis or self sacrifice in the end of the movie. When Rick plans with Ilsa on leaving the country together, he finally decides it is time to exit the underworld and complete his path to heroism. Then after that he begins his second experience of the path of heroism by guiding Louis. The apotheosis is when Rick, Ilsa, Victor, and Louis are in the airport hanger, and Rick gives Victor and Ilsa the letters of transit. Rick made Ilsa believe that he was going to use the letters of transit for them two and leave Victor out.
In The Odyssey Circe was one to Odysseus about his up coming obstacles. The movie had a similar person, who didn’t have a name. Even though the sirens are mythical creatures, they are still put into the movie. Obviously this book and movie aren’t exactly the same but the similarities are kind of easy to point out. Odysseus’ whole journey is to return home and be with his wife and son again.
This ultimately marks the nearing end of his journey in his tale of reclaiming a sense of freedom and power over his life. Furthermore, director Elia Kazan directly mirrors this quote from his past with his testimony of “naming names” to The House of Un-American Activities Committee (HUAC), with him being glad that he did the right thing and has no regrets of it. Through the fictional representation of Terry Malloy, Elia Kazan has justified his actions through the film. On the Waterfront ultimately follows the story of a young man in his fight for power over his own life. Terry is initially seen as a “bum” in the commencement of the film, but as it progresses, his character changes and evolves through self motivation, help and support from Father Barry and Edie Doyle paving him the way, hence Terry is successful in claiming back power over his own life and also, gaining a sense of freedom from
As of a result of that he did the steps of an hero which are to separate from their familiar surroundings, accomplish a difficult task, and return home with what they learn and to use it. In part one of Beowulf, it says “In all, and led them down to their boats; He knew the sea would point the prow straight to that Danish shore” (lines 122-124). This is the first stage that Beowulf went through, which was to separate from familiar surroundings. Then he completes the second stage in part one of Beowulf that explains “Snapped, muscle and bone split and broke. The battle was over, Beowulf had been granted new glory: Grendel escaped, But wounded as he was could flee to his den, its miserable hole at the bottom of the marsh.
By repeating the word terrible, the author emphasizes how monsters should be perceived. Not only are words being repeated in the story, events are also re occurring. Max sets sail to the island where the wild things are. This journey takes him months until he arrives. Also, at the end of the story Max sets sail back to his bedroom.
She accepts that there is life in death and recovers. This is shown to the other characters through the play-within-a-play technique used by Gow of “Stranger on the Shore.” So the challenges that Coral faces such as her son’s death and the process of the journey of healing has allowed her to learn much more about herself and the world around her. Furthermore, Gow uses Shakespearian allusions to “A Midsummer Night’s Dream.” Tom is compared with the Shakespearean character of Puck. One particular quote from “A Midsummer Night’s Dream” is “I’ll be an auditor, an actor too perhaps if I see chance”. This is exactly what Tom does, he is the audience, he stands back and watches the people around him and how they are dealing with his death, but also when he gets the chance he will act to help the peole around him.