Howard then goes on rambling about how stupid they are and how they’d never leave this wilderness alive without him. Dobbs and Curtin are so confused by the rant that Howard goes on that they look at each other in utter confusion. At the end of the rant Howard whips out The Laugh accompanied by a classic dance where we stamps his feet and swings his arms around merrily. Immediately all of Dobbs and Curtin’s seriousness in the situation goes out the window and the audience is forced to laugh at Huston’s character’s very strange yet witty humor. The second and even more hilarious encounter with The Laugh is at the very end of the film.
In this subject, Jack Nicholson definitely takes the cake. Heath Ledger's laugh was pretty convincing as a psychotic freak, however, Jack Nicholson has a bone-chilling laugh that causes the hair on the back of your neck to stand up. In this aspect, Jack Nicholson won hands down. He laughed this classical crazed man laugh like you would think the Joker's laugh would be, loud, long and evil. The smile is a great topic to compare as well.
“Alec you gonna look like an idiot.” “Trae shut your filthy mouth.” Alec’s answer to Trae was only met with laughter for he said it in his normal stuttered speech and in a slightly higher pitch. “Alright, well, your hair is completely dry so I can put the paste in” Kera said. “YOLO” Alec said loudly, as if we didn’t already understand, but it still made us laugh as it was yet again said with the intonation only he could replicate. “Okay, well let me put it in.” “YO…” Kera interrupted. “Alec if you yell YOLO one more time I’m going to kill you.” “…LO” We laughed again including Kera unable to get mad at the kid who was about to ruin his hair and gave us so much entertainment.
Mark appears to try to justify his actions in this scene: Mark: "We were having a laugh, weren’t we…" (p20). This phrase is repeated several times. They also convince themselves that Adam is actually enjoying the bullying: Mark: "Oh yeah, Adam he was laughing harder than anyone." (p21). Again, this word laughing is repeated throughout the scene.
I call myself a veteran, for instance let me deamonstrate How evil faith can be replaced by super stars we see in space When my genius wakes – tell it you think that what you see is fake ‘cause I embellish need with hate, while rappers sell the “cream and cake” I fiend to make a feeble state of mind this blind to trees and lakes Look deep between the steaming slate n realize what she sees, she takes She needs a break, and beat that quakes to ever really be this great But dreams are waste, once upon a time I still believed in fate but I know the games the same, and I know she's testin' me. I'm not seein' every play - while she's expectin' me to referee. It's embedded in my destiny to live a life of stress, succeed. Then when I go to rest in peace I can finally
As they are playing, they talk about all their bad memories and start to open up to each other. “The play brings laughs but also some gripping moments ‘that will rip your heart out’”(Bridges, Alex. http://www.nvdaily.com/lifestyle/2009/07/award-winning-the-gin-game-is.html). This movie shows comic and tragic moments which make it a piece of art. The comic part about this movie was the laughter and jokes they said throughout the whole movie.
The mechanicals are important in a midsummer night’s dream as they introduce the comedy of the piece. Scene one is extremely dramatic “Full of vexation" and this is juxtaposed by the humour of the mechanicals in scene two "let me not play a woman; I have a beard coming". Until there entrance it seems a romantic tragedy on a par with Romeo and Juliet, in a way the introduction of the mechanicals reassures the audience that it is in fact a comedy and allows them to laugh. The mechinals are Peter Quince, Nick Bottom, Francis Flute, Tom Snout, Robin Starvelling and Snug. Peter quince is one of the illustrious Mechanicals who puts on the play, Pyramus and Thisbe.
The Fools songs, riddles and jokes are a source of comic relief, used to break up the intensity of scenes. The Fool appears to have a deceptively simple part in the play when in actual fact his role is of key significance. The Fool and Lear have a fascinating relationship throughout the play. Lear seems to depend on his Fool increasingly to be his voice of reason or his conscience, because he reminds Lear of all his mistakes and manipulates his feelings into realising them. This is a great irony as the King who is supposed to be wise is in-fact a fool, yet the Fool himself is full of
The paragraph continues: There is an idea that it is humiliating to run after one's hat; and when people say it is humiliating they mean that it is comic. It certainly is comic; but man is a very comic creature, and most of the things he does are comic—eating, for instance. And the most comic things of all are exactly the things that are most worth doing—such as making love. We are taken aback: the last sentence is true and apposite, but quite startling in so pious and conservative a writer as Chesterton. We begin to revise our opinion of him.