The Little Vagabond

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The Little Vagabond Published in the ‘Songs of Experience’ in 1794, William Blake designed his poem ‘The Little Vagabond’ to show the power and manipulation of the Christian church. This text is a strong example of how Blake believed the church gained control over society through exploiting the concept of God. Through the use of such poetic techniques as rhythm and tone, as well as the structured use of language and characters, this poem is able to express the hypocrisy found in religious practices during the late Augustan era. The late 18th century presented a time in which Catholicism had started to be debated. The Protestant Reformation, in particular, was an event that reflected William Blake’s personal views on Christian faith. In ‘The Little Vagabond’ Blake’s lack of respect for society’s religious practices is quite evident, the poem showing criticism on society’s constant worship ‘schedule’ leading them to forget why they really are praising God. “Dear mother, the church is cold but the ale-house is […] warm.” By obtaining the persona of a child, Blake is able to use naivety to prove a point; worship should be a delight rather than work. Through a child’s eyes, the ale-house represents a place of comfort and happiness. For the boy, having not lost his way with society’s expectations, it makes sense that he wishes the church to be the same. “…if at church they would give us some ale […] we’d pray all the live-long day.” Through this example, it can be seen how society has not yet clouded his innocence. He simply wishes for the same light hearted nature of people seen in the ale-house to be in the church. It becomes evident that Blake purposely used the issue of ignorance to show how the loving relationship between God and the boy is not based on experience and dedication to Catholic practices. Through poetic techniques the childish nature of the poem
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