The Crucible And Rdquo Analysis

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You Can’t Mask Revenge Oftentimes, people go to great lengths to hide the most unsavory parts of themselves, and don’t reveal to others who they truly are. Sometimes, people who are actually evil and conniving can seem to be the kindest. However, as time goes on their villainous natures come to the forefront. In The Scarlet Letter by Nathaniel Hawthorne, The Crucible by Arthur Miller, and “The Cask of Amontillado” by Edgar Allen Poe, the antagonists are very talented at hiding their true identities. While Abigail, Chillingworth, and Montresor don innocent guises, their diabolical quests for revenge consume ultimately them. Although the true natures of Abigail, Chillingworth, and Montresor are incredibly apparent…show more content…
Chillingworth tells Hester that he plans to “devote himself earnestly and unreservedly to the solution of [this] mystery” (Hawthorne 72) and once he discovers the father’s identity, “his fame, his position, his life, will all be in my hands” (Hawthorne 73). Thus Chillingworth’s obsession begins. This vengeful fascination only grows as the story continues and eventually swallows Chillingworth’s entire life, affecting his physical appearance. After living with Dimmesdale, Chillingworth has “transformed himself into a devil…by devoting himself, for seven years, to the constant analysis of a heart full of torture, and deriving his enjoyment thence” (Hawthorne 137 - 138). His depraved physiognomy now reflects the pure evil of Chillingworth’s heart, and is an omnipresent brand, much like Hester’s scarlet letter, of his consumption by revenge. Once Dimmesdale confesses “the black secret of his soul” (Hawthorne 120), he dies, leaving Chillingworth without the object of his punishment. Within a year of the minister’s passing, the old physician “withered…show more content…
Montresor has taken much to think out and perfect his retaliation against Fortunato. Due to “the thousand injuries of Fortunato, [he] had borne”, Montresor “vowed revenge” (Poe 411). These offenses did not happen over the course of a few hours or days, but instead months or maybe years; thus Montresor has had much time to mull over how exactly he was going to punish Fortunato, and thus slowly allowed it to consume his life. Much like the planning of his justice, the act of it is also slow. Instead of just shooting Fortunato or something equally quick, Montresor instead handcuffed him to the catacomb wall, and buried him brick by brick (Poe 416 – 417). By cruelly drawing out his punishment, it is clear that Montresor thought out his actions, and wanted Fortunato to feel as much pain as possible. While Chillingworth dies very soon after the subject of his hatred is gone, Montresor lives on long after, as if the thought of his completed revenge sustains. Instead telling the story as it happens, Montresor is telling it from the future, “half a century later” (Poe 417). By telling the story with the same passion fifty years later,

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