The Cask of Amontilado

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Analysis of “The cask of Amontillado” Could you ever imagine killing someone and in that case: what would be the motive behind it? Maybe you would answer that you would not, but what if your supressed feelings were strong enough to drive you so insane that you wanted someone dead? After all we are just human with sense of justice, who can only take just so much. This is dealt with in the horror short story “Cask of Amontillado” written by Edgar Allan Poe's and first published in 1846, where the main character, Montresor, builds Fortunato into a wall in order to to take revenge on him, because he feels insulted by him. The first person narrator, Montresor, is very unreliable, because he tries to make us perceive Fortunato and the killing of him in a certain way, as he does not want us the sympathize with him. Furthermore when he tells the story it is a long time since it happened, “for the half of a century no mortal has disturbed them.” (p. 5 l. 15-16) When he says “them” he refers to Fortunato among others. Half a decade is 50 year. This means that the story has to be at least 50 years old. The fact the he looks back on the incident makes it even more unreliable, which are only reinforced with the fact the puts Fortunates in an unfavorable light through his descriptions of him and his actions, "I suffered him to hurry me to my palazzo” (p. 2 l. 8) In this quotation he describes Fortunate as a burden. Edgar Allan Poe uses both dramatic irony, where the readers perceive things that the character in the story does not, and verbal irony where the characters say something, but mean something else. Dramatic irony is to be seen in the naming of the characters. The symbolic meaning of Montresor is “monster” and the symbolic meaning of Fortunato is “fortunate”. The irony is that Fortunato is not fortunate, as he end up being killed. Montresor is not a monster

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