Superstition and the Supernatural in Julius Caesar

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Today, in the 21st century, people often turn to professional experts or their own personal experiences to decide how to respond to certain situations or events. In Caesar’s era, people often regarded supernatural occurrences and ancient superstitions as the Gods telling them the best way to handle a certain predicament. Three omens or “signs from above” in William Shakespeare’s Julius Caesar are: the violent thunderstorm at Cicero’s house, Calpurnia’s dream of Caesar’s statue with a hundred holes pierced in it and blood flowing from them, and Brutus’ guilty conscience manifesting Caesar’s ghost. Although in modern society, superstitions are generally regarded as foolish and naïve muses of the mind, they held much importance in Caesar’s time and often greatly affected people’s decisions and choices. In Julius Caesar, the omens, which usually would be highly regarded and well respected, are ignored. At the end of Act 1, Casca and Cicero meet in Cicero’s home. There is a violent thunderstorm and, coincidentally, they happen to be discussing Caesar’s appearance at the capitol the next day. This is important because Shakespeare is clearly selecting the violent storm setting to show the audience that all is not well with Caesar’s visit to the capitol. The storm is so violent, it prompts Casca to say “Are you not moved when all the sway of the earth shakes like a thing un-firm?” (Shakespeare 1. 3. 3) Casca feels that this is definitely an omen from the Gods and says “Either there is civil strife in heaven, or the world, too saucy with the Gods, incenses them to send destruction” (1. 3. 11). Previous to this, Casca, while walking to Cicero’s house, saw a man, a common slave, with his hand raging with fire, yet it wasn’t burned, and he felt no pain. Shortly after, he saw a lion in the Capitol and immediately unsheathed his sword, but the lion did not attack; it stayed

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