Segmentation/Essay On Donnie Darko

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Victor Beaulieu Segmentation and Essay 3-25-12 Donnie Darko Segmentation and Essay I went through the entire motion picture as instructed and scene for scene, jotted down what was happening as far as linearity and important story arches go. I’m not sure if I’m suppose to recount every part that I wrote down in my notebook segmentation because that seems like over kill, so I’ll simply attempt to sum it up. In paragraph form and then transition into the essay portion. At about the 8:06 mark, Frank’s voice i.e. the parallel reality involving Donnie’s either elaborate schizophrenia or mission to save the coming future by talking to a dead rabbit, begins. Frank tells him when the ‘end of the world’ is going to be and Donnie evidently writes it on his arm. Then for about another 15 minutes, the film progresses in a linear format, running through key points in the story, i.e. setting the stage for Donnie’s home life, recently being put on depression medication, relationship with school and teachers, him going to a therapist/psychiatrist and the occurrence of local elderly enigma Roberta Sparrow. Around 24:23 Donnie has his first painfully realistic foreshadowing dream and second vision of Frank, the man in the bunny suit. From these early facts, it’s clear to me that the stylization of format is that of “reality” and then a type of “alternate or sub reality”. Which I could also describe as hallucination except it’s directly effecting his actual reality, which leads me to believe that it’s more than simply something happening in his mind. Unless of course we’re suppose to believe that Donnie’s projection of these intense dreams are manifesting themselves into realities because he has some sort of super power. Or because he was chosen specifically as some type of martyr for an omnipotent being

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