Scene One Crtitical Analysis- A Streetcar named Desire

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1.Williams is trying to emit the atmosphere of decay. The white buildings (obviously an allusion to Blanche) and quaintly ornamented gables all make us believe that this neighborhood was once great and well kept, but has been neglected and is now run-down, but has a certain charm to it. The “warm breath” of the river as well as the “faint redolence’s of bananas and coffee” helps set a more “homey” atmosphere. The Blue Piano jazz sends out a heavily depressive note, which goes hand in hand with the “depressive” state of this once great neighborhood, or “the spirit of life” as Williams likes to put it. Even the name, Elysian Fields (meaning Heaven or Paradise on Earth) misleads the reader, but helps reference the areas once majestic setting. This setting is perfect for Blanches visit. It is not a new bustling city, but a more relaxed and natural area (as shown by the negro entertainers and the slow beat of the Blue Piano), making her feel more comfortable and able to settle in more easily. 2.The readers first impression of Stanley is a very effective description of his character throughout the rest of the play. It starts off with him and Mitch walking down a reasonable “seedy” city street. Amongst the hustle and bustle of the night life, the loud shouts of the Negro Woman and Vendor. He is with Mitch, very roughly dressed with a bowling package and a package from the butcher. His first conversation is about money, meaning he lacks emotions and selflessness, that he is more considered about money. They are both talking about gambling, he proves himself to be a reckless gambler by going against the advice given by someone else. His most famous line must be him calling Stella. Screaming from the roadside, we see that he does not treat his wife with respect or remorse. He takes her for granted. Stella hurries onto the balcony and we see that she obviously has a

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