Romanticism In Gogol's The Nose

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Novelist Nikolai Gogol was known to his contemporaries and is regarded by the world as a pioneer in Russian literary romanticism. Gogol’s “The Nose” stands as one of his more abstruse novels and exhibits his mastery as a romanticist writer. Evidence of its fundamentally romantic style can be seen in the vivid, embellished imagery, subjective point of view, and supernatural references found throughout the work. For example, Collegiate Assessor Kovalyov turns his attention to the slim girl inside Kazan Cathedral and finds her “bent over to pray like a spring flower” and also observes that her yellow hat is “as light as pastry” (Gogol, 50). The use of similes and metaphors to describe common objects and occurrences is standard in the type of imagery unique to romanticism. It contrasts with the more precise, clinical method found in the works of earlier eras, which might have described more of the young lady’s hat itself instead of comparing it to pastry. Gogol utilizes another style of romantic literature when he interrupts the story after Ivan Yakovlevich decides to throw Kovalyov’s nose into the River Neva (44). He says that he is “rather at fault for not telling [the reader] before something about Ivan Yakovlevich, who in many ways was a man [the reader] could respect”. The Romantic Period was the first in which interference of this type, known as the subjective point of view, was being accepted in literature. In addition, another element of romanticism, the love of the supernatural, is seen when Kovalyov concludes that person to blame for the loss of his nose was Mrs. Podtochin, who “must have hired some witches to spirit it away” (59). Mrs. Podtochin had asked the Major to marry her daughter several times, and he believes that his hesitation to propose was misunderstood and that the staff officer’s wife is now exacting her revenge through witchcraft.

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