Shot 21 is a medium long shot of Tom and Johnson, showing them both still in shock at the violence. Shot 22 cuts to a low-height medium shot of Dane on all fours, and Casper from the waist down. Just as the thunder claps loudly, Casper shoots Dane in the back of the head and smoke pours from his gun. The thunder rages on through shot 23, tracking in fast to a medium-close up of Tom with Johnson still screaming behind him. The final shot 24 tracks in to a medium close-up of Casper from a low angle.
Then gunshots, like a swarm of bees, swarmed all over the Humvee slamming into the sides. Our convoy was under attack, and my Humvee was hit by an IED. I reached for my rifle and unfastened myself suspended upside down. The driver was dead, shrapnel and burns covered his lifeless body. For a split second I didn’t know what to do, I felt helpless and overwhelmed.
Johnny Rockstar? You’re up next! (Exits stage right) JOHNNY: (takes last sip of drink, heads up to the “stage”) Let’s do this! Song: Jailhouse Rock/Hound Dog As song ends, crowd around Johnny goes crazy, he throws his guitar offstage right, then exits right to meet screaming fans and groupies. FAN #1: You rock, Johnny!
Louie picked it up and hours passed at a certain point that everyone stopped to look at him and wonder what was going to happen he was almost falling but he looked the leader right in the eye and lifted up very high and screamed and I also screamed like “YEAH” and everyone in the theater looked at me weirdly. Anyhow, the Japanese leader got really mad to he went to Louie and started hitting him extremely a lot that’s when I really wanted to beat the Japanese leader myself. Afterwards the last scene that I really liked was when the American airplane flew by the camp and all the prisoners started jumping of happiness because that’s when the Japanese had surrender and the war was over. In the end, Louie went back to him home and saw his parents and that scene was very touching I almost started crying. Overall, it was a very good and interesting movie that I had a lot of mixed emotions.
The directors all portray Hamlet’s madness through the actor’s actions in the film. In Bennett’s film Hamlet is portrayed as violent towards Ophelia as he snatches the scarf from her and wraps it around her neck; almost like choking her. Branagh similarly depicts Hamlet as a violent person towards Ophelia in ways such as throwing Ophelia around, throwing her against the mirror and smushing her face against the glass. In Zeffirelli’s film, Hamlet grabs Ophelia’s face in an aggressive way and yells, “God has given you one face, and you make yourselves another” (III, I, 142-143). Each of these films portrays Hamlet’s madness when he realizes that he is being watched by violently acting up towards Ophelia.
Women were seen running through the ranks in wild disorder; their apparel funeral; their hair loose to the wind, in their hands flaming torches, and their whole appearance resembling the frantic rage of the Furies. The Druids were ranged in order, with hands uplifted, invoking the gods, and pouring forth horrible imprecations. The novelty of the fight struck the Romans with awe and terror. They stood in stupid amazement, as if their limbs were benumbed, riveted to one spot, a mark for the enemy. The exhortations of the general diffused new vigour through the ranks, and the men, by mutual reproaches, inflamed each other to deeds of valour.
The stadium is loud from all of the crazed fans yell. It is so loud that you probably can hear it from Jacobs Field. Also when a player gets hit hard everyone can hear it, it sounds like a freight train hitting a brick wall. The players on the field yell out the play that the coach gave them and when they make a mistake the coach yells. On the hot humid day during the game it is nice to have a big glass of ice cold pop.
Tiny droplets of blood splattered across the floor, the man’s eye looked as if it had been lacerated by a trained assailant. His face was mangled and after seeing what the lady had done, she screamed. An endless high tone screech which did nothing but contribute to the choir of wailing
The “k” sound in “spike” and “crackle” refers to the sound of explosion, suggesting the violence portrays by the thistles to fight against man. The diction like “burst”, “spike”, “crackle” and “thrust up” shows the aggression(fighting back) of the thistles against the destruction. The enjambment in the second stanza of the poem, “Every one a revengeful burst// Of resurrection, a grasped fistful//Of splintered weapons and Icelandic frost thrust up”” further creates a stronger emphasis in the continuity of the destruction of the thistles. Despite the continuous destruction of thistles by man, “Every one manages a plume of blood”. “Every one” suggest the unity of the thistles against the destruction and the fact that each and “every (single) one” of the thistles matter so as to ensure the continuity of
The song begins abruptly, quickly establishing itself with a chugging drumbeat and loud, distorted guitars. The song is introduced as powerful, foreshadowing the experience the listener is about to undergo. As vocalist Jordan Dreyer comes into the song, his tone is found somewhere between speaking urgently and shouting passionately. He introduces the setting of the song, a drive-by shooting, and also states how commonplace occurrences like this have become. There is a change of sound in the voice, as if to represent Dreyer’s thoughts when he asks himself when the last shooting occurred.