Master G.A. With The Caltrop

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Formal Analysis The Master's “Decorated capital with piece” c.1537 The person named “Master G.A. with the Caltrop” is an extraordinary Italian Renaissance artist who chose to remain anonymous during the early fifteenth century. His engraving “Decorated capital with piece” uses density in different areas to not only help differentiate decoration, but also to further clarify the column twofold by giving it roundness as a whole and helps the ornaments stand out. Upon closer inspection, the Master leaves subtle obscurities within his hatching to further attack the observers curiosity. The Master uses a light touch of horizontal hatching on the left side of the composite column to give it a round look that is complimented by the brighter right side with horizontal hatching only towards the very right of the column. This gives the appearance of a light source shining down on the column. The way the beards curl on the two faces upon the abacus almost continues the crowns on their heads, giving the false appearance of an abacus blossom from afar. However, it is important to note the expressions of the faces on the abacus. The heads at first glance seem identical; both men have deep open mouths, long curling facial hair, and leaves to form a crown on their heads. But upon closer inspection they are actually two completely different people! The one on the left side looks happy, attractive, and welcoming whereas the one on the right looks mean, ugly, and scary. The Master fools us by making the whole column symmetrical, then gives slight variances in the curves of the faces to give two completely different expressions. Left Side Right Side This discrepancy seems coincidental, but is actually extended down to the ram heads. They too seem identical at first, but the one on the right has deeply curved eyebrows and lips, making it look angry whereas the one on the
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