Ramsland Film Analysis

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Many people can remember back in childhood when they would feign illness in the hopes of getting to miss a day of school. This idea can be expanded to the criminal justice system, where the potential consequences for the individual and society can be much greater. Individuals who have been accused of committing serious offences may also see the appeal of pretending to suffer from certain psychological disorders. Being able to plead “not guilty by reason of insanity” by proving that one was not aware of their actions or able to control their actions while allegedly committing a crime, may allow individuals to avoid unfavourable consequences, such as being sentenced to time in prison or the death penalty (Hall & Hall, 2006; Kluft, 1987; Ramsland,…show more content…
In the film, Stampler claims to suffer from blackouts quite often, where he says he “loses time.” However, there is no other evidence presented to suggest that Stampler has ever suffered amnesia before the events of the murder took place. It has been shown that malingerers will often not be able to produce any concrete evidence of suffering from the feigned disorder or amnesia in their past (Ramsland, 2002). This is clearly true in Stampler’s…show more content…
Stampler revealed at the end of the film that his real personality is that of Roy, and that he had made up his other personality of Aaron. In an effort to make Aaron appear as innocent as possible, Stampler adopted a stutter, and spoke very slowly and quietly. This was highly exaggerated in contrast to his actual persona of Roy, who was confident, violent, and remorseless. This is consistent with research done on malingering, which shows that malingerers will often exaggerate their presentation of symptoms (Ramsland, 2002). Furthermore, research on multiple personality disorder (MPD) (now known as dissociative identity disorder) showed that people attempting to feign MPD would often report having two stereotypical good versus bad personalities, while true sufferers of MPD normally report having “a tetrad of personalities” (Kluft, 1987, p.112). This was accurately shown in the movie, as Stampler’s malingered personality of Aaron was clearly meant to be the “good” personality, while his true personality of Roy was the “bad”
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