Marxisms Effect On Popular Media

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Greg Thompson COM 240 Dr. Bettler October 26, 2011 Midterm Take Home Essay Marxism is a theory that is based on removing the exploitation of the working class, or the proletariat, by the middle class, or the bourgeoisie. According to Karl Marx this societal status quo is one of the major problems with capitalism. Part of this exploitation is being able to keep the proletariat under control. This can, seemingly obviously, be done by controlling the media and what the proletariat read, see and hear about in their everyday lives. On a broad scale this is done in the modern world and even in the United States of America. That isn’t to say that there is media out there who’s goal it is to effectively reverse this status quo, but these outlets are comparatively few and far between, yet in recent years society has seen a large increase in the amount of material produced to reverse the status quo and empower the proletariat. Through music as well as through song a few artists and writers have been able to challenge the status quo, while at the very same time other artists and writers have been able to reinforce this riff in the classes through their works. Suzanne Collins is one of many authors who write of the status quo through literature as Bob Dylan is able to do the opposite of this through music. The vast majority of media however, I believe, is designed to be as mindless and reinforcing as possible to maintaining the bourgeoisie control of the proletariat. A good reference to this idea could be the pop music industry in which hardly any artists write their own music or lyrics and is overall a fairly mindless industry. There are a few exceptions but broadly the media does reinforce the status quo between the proletariat and the bourgeoisie. The pop music industry in the United States is a grossly large empire in the music world. This industry enjoys huge
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