Maggie: A Tragedy Of Fantasy

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Maggie: A Tragedy of Fantasy Stephen Crane’s writing career was not an instant success. Most people know of Crane from the Civil War novel, The Red Badge of Courage, which earned immediate acclaim. Although he only lived to be twenty-eight years old, Crane managed to write many novels and short stories, including “The Black Riders and Other Lines,” The Third Violet, and “The Open Boat,” which is considered by some to be Crane’s best piece of literature. This, however, was not Crane’s first work. In 1893, Crane self-published a small novella about New York City’s poorest areas, which gained him little recognition but from a few critics (Literature 3). Stephen Crane’s Maggie paints a gruesomely vivid picture of the Bowery slums; he delved deep into a topic of pain and worst-case scenarios with the intent of showing how much change was needed by the raw naturalism of the Bowery, the illogically placed beauty in which the characters struggle so hard to wrap their minds, and the terrible consequences when they fail to do so. The book Maggie: A Girl of the Streets is a book with a very naturalistic feel. Crane tells of the horrid surroundings of the Bowery with gruesome detail and brutal honesty. In the beginning of chapter two of Maggie, he leaves nothing to the imagination of their surroundings: children playing in the muck and in the road for vehicles to hit, disgusting people screaming at each other, and in “postures of submission,” and the very building above them looking like it was about to fall. The children of the Johnson household curse and fight and act like animals, and idea reinforce by Crane’s simile relating Maggie to a tigress (Crane 6, 9). This home for these innocent children in Maggie is described as a moral garbage pit, where the ethics that the middle and upper classes held dear did not necessarily apply. Like a malignant cancer, the

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