Joan of Arc (Marxist) - Endurance of Socio-Religious Persecution

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Endurance of Socio-Religious Persecution William Butler Yeats once wrote “But I, being poor, have only my dreams/I have spread my dreams under your feet/Tread softly because you tread on my dreams” (Yeats 6-8). This quotation by the famous poet reflects the theme of the play, Saint Joan. Both exhibit how proletariats being beleaguered by the bourgeoisie escape their confines through their dreams. In Saint Joan, George Bernand Shaw demonstrates that any society that places stress on segregation based on sex will also elevate certain personages above others. This will force its citizens to find serenity through various coping mechanisms such as maligning the people in power and seeking solace through dreams, memories and voices. Through the application of Marxism, sexism and religion is shown to be used by the ruling class to make their plebs feel hopeless enough to survive by slipping into dreams and criticizing the upper classes. This will result in rebellion of a sort, where people who are powerless to actively rebel, do so by other means. In Saint Joan, this is shown in two methods. Firstly, rhetoric is used to show how the Archbishop considers himself as a god for the lower classes, and how the lower classes deal with this kind of class oppression by quietly slandering him when they can. Secondly, the use of character to show seclusion of men and women also serves to show how people dissent against this by turning to their own memories and miracles. This type of subjugation over the masses results in quiet rebellion as the multitudes attempt to influence a reversal in class structure and power hierarchy. People in possession of religious power often elevate themselves above others. The Archbishop of Rheims demonstrates this through the lines “I am an archbishop; an archbishop is a sort of idol….he has to learn to suffer fools patiently” (Shaw ii,
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