Imagery and Morality Play

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Imagery and Morality Play Morality Play, a story of a serial killer, takes place during the Middle Ages, when the feudal system was strong with most of the plot taking place in a small village. In telling a basic murder mystery, Barry Unsworth uses imagery so profoundly that his writing style makes the reader feel like they are one of the players in Morality Play. This descriptiveness has such an effect that in the reader’s mind one feels the wet December cold when the play begins and smells the many cringing, pungent odors that the players encounter. His use of clear descriptions produces visual images which bring recognition such that there is no question what a particular scene looks like. It is as though Unsworth’s descriptive imagery causes the reader to encounter the novel as reality, with its smells, sights, and sounds. In Morality Play, Unsworth employs smells, sights, and sounds to bring the reader more profoundly into the world of Nicholas Barber and the players. The sensory imagery of smell is key in Morality Play. The reader first encounters the sense of smell very early in the novel. Nicholas Barber, the protagonist and a priest fleeing certain trouble, encounters the band of players in the countryside. In this group of players there is an actor, Brendan, who is morbidly sick. Brendan dies, and his friends put him in a cart and travel with him, looking for a burial place to arrange a proper funeral. Unsworth envelopes the reader in the descriptive odor of the body: He had begun to smell foul the day before. Traveling on the cart with him one noticed it more, the jolting of the cart moved his body under its covering of red cloth and with these stirrings of movement the smell of his dissolution came dank and unmistakable on the chill air. It grew stronger by the hour and we had no oil or essence we could use to cloak it. (Barry Unsworth, Morality

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