Gilding the Dead: Remembering the Past in Oliver Twist

601 Words3 Pages
Gilding the Dead: Remembering the Past in Oliver Twist On the first day of class we mentioned that we were reviving the great Charles Dickens; with his name and prestige, I imagined him rising through the floor of the classroom a la Scrooge in a three-piece tweed suit covered in the damp humus of his grave. But to revive an author, in a much less literal sense, is to examine his or her prose while teleporting yourself back to that author’s period. Dickens was not only original for his time, he was revolutionary. I’m no historian of Victorian literature, but it seems to me as if Dickens was the first of his kind. In class, I’ve often claimed that if Shakespeare were Mozart, Dickens could be the Beatles. Dickens clearly borrowed from trends, such as romanticizing notorious criminals - a fad known as a Newgate Novel - and employing literary tools like bildungsroman in his crafting of Oliver Twist. In a similar fashion, the Beatles, who recorded covers of Little Richard and Buddy Holly songs, turned American blues into something distinctly British pop. Dickens, like the Beatles, altered something in the influence of his predecessors to not only create a wholly new and revolutionary product, but to inspire future writers and cement himself as one of the most influential writers to exist. Maybe that “something” resides in the way Dickens graphically paints an image for the reader: his descriptions attempt to erase the line between real and surreal. Like Impressionist painters who came after (you heard correctly... after. The man was influential), Dickens can take an ordinary scene of a man trying to remember a face and extrapolate upon it in graphic and otherworldly ways, taking an abstract concept, that of memory, and expressing it through an entirely unsuspected lens. Mr. Brownlow tries to pin where he saw Oliver’s face, and Dickens enters the mind of Brownlow and

More about Gilding the Dead: Remembering the Past in Oliver Twist

Open Document