Frankenstein And Blade Runner

1115 Words5 Pages
Throughout the time, authors’ contexts have been heavily influenced by their social, historical, economical and moral beliefs. However, in both texts, Mary Shelley’s Frankenstein and Ridley Scott’s Blade Runner, despite the nature of their different contexts and modes of production both composers effectively reflect what are constant aspects in human nature, ‘a willingness to accomplish the goal of omnipotence’, ‘connection with nature’ and ‘connections between creator and created’. Feared by their different surroundings where inception of new philosophies and unknown knowledge provided unlimited possibilities of science, Shelly and Scott established their stories in forms of a didactic text which demonstrate the catastrophic consequences…show more content…
In Frankenstein, allusion to the ancient poem, ‘Rime of Ancient Mariners’, is phrased by both Walton and Victor- ‘I shall kill no albatross’, ’with this deadly weight around my neck’. ‘Rime of Ancient Mariners’ is a didactic poem that tells the deaths of all of Mariner’s sailors after the unintentional killing of an albatross by the Mariner. Albatross symbolises the divine quality of nature and shows that Walton is thoroughly aware of the unrelenting outcome from destroying the nature. Ironically, Walton closely resembles the Mariner, whose persistence to continue his voyage threatens his ship and alienates himself from his crew. Unlike to Walton, Victor views his guilt of breaking that fundamental bond as ‘deadly weight around his neck’ which strongly eloquent to the part of the poem where the Mariner is forced to carry dead albatross around his neck due to his guilt. In Blade Runner, the shot of eyes are constantly used as motif throughout the film. After the establishing shot of city in the opening, the extreme close shot of an eye is shown to reflect the urban landscape filled with artificial light and flames before him. This scene suggests that man has utterly lost the sight of nature. Ironically, when ‘Voight-kamff’ eye test is conducted to distinguish between Humans and Replicants, the questions that involve the empathy upon nature -‘cat skin wallet’ and ‘boiled dog’- are frequently asked to trace…show more content…
In Frankenstein, Victor continually refers to his creation as ‘vile wrench’, ‘abhorred devil’. This uses of epithet illustrate his immediate repulsion towards the creature and his recklessness towards conformity of life he has bestowed. Despite this, the creature gladly desires Victor’s acknowledgement on his behalf - ‘Remember that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed’. Juxtaposition between two biblical allusion, ‘Adam’ and ‘fallen angel’ suggests us the contrast in Victor and God. In Bible, Adam was the first male with gifted creation from the God’, but the creature rather refers himself more of ‘fallen angel’, ‘devil’ who plunges the eternal war against God. When it’s compared with Blade Runner, the scene where Roy confronts Tyrell on top of the ziggurat identifies both characters’ relationship as between creator and creation. When Roy and J.F Sebastian are on way to Tyrell’s penthouse by elevator, they challenges chess game against Tyrell whose metal chess pieces almost resembles ‘Replicant’. This allegorical representation relates to Tyrell who manipulates Replicants like ‘chess pieces’ and indicates his lack of empathy towards them. With Roy’s help, Sebastian is able to defeat Tyrell, foreshadowing Roy’s revenge on his creator. When Roy encounters Tyrell, unlike Victor Tyrell momently shows that he is
Open Document