Femenine Descriptions in Chaucer's Canterbury Tales

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Almost at the beginning of The Miller’s Tale we encounter the extensive description of Alison, the wife of a carpenter who is much older than her. It is so extensive that it needed 37 lines for it to finish. Chaucer jumps from description to narration to description time after time. The description of this woman suggests that the carpenter had a difficult time containing his jealousy because she seems like a beautiful, wild and desirable woman. He had a fear he could be cuckold for these reasons, so he always kept her closely caged. As Chaucer is giving such a detailed description of the woman, it seems like he is painting with words a picture of the young girl, as if he wanted the reader to focus on how she physically is and looks like, but he also gives us a brief idea of how she psychically is and how she acts. The important fact here, too, is that the description is done under the point of view of the Miller, who is a drunken man, so we may think that this description is being conditioned or determined by his drunkenness or inebriation, and therefore, he might be exaggerating in the explanation. Chaucer introduces Alison, the young wife of the carpenter, through her physical attributes and clothing, withholding her name so that she becomes an object of femininity for the reader. He describes her as having a supple and sinuous figure by likening her body to that of a weasel's, emphasizing her sexual attractiveness. The comparison of Alison to a weasel hints that she has a sly nature. After the use of the simile of the weasel, Chaucer goes on to describe Alison's clothing, depicting her girdle that is made of silk and says the color of it is like the color of the morning milk. Chaucer says that her skirt has embroidery all over and that also on her collar there is embroidery inside and out. The strings of the white cap on her head are like her collar, made of

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