Even as an Allegory for Apartheid District 9 Enforces Racist Depictions of Nigerians

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Even as an Allegory for Apartheid District 9 Enforces Racist Depictions of Nigerians District 9 is a film filled with racial themes. It primarily functions as an allegory of apartheid in South Africa depicting the traumas inflicted on native Africans through a story of xenophobic discrimination towards aliens. In this paper I will argue that even while bringing to mind the horrors of apartheid and making a case against discrimination, the film is actually racist in its depiction of Nigerians. They are shown as irrational savages compared to the rational and technically advanced Westerners. The allegory of apartheid is obvious from the start of District 9. It opens explaining how humans first came in contact with the alien ship above Johannesburg and eventually housed the aliens in a camp known as District 9 where they are oppressed. There a black market is established between the local Nigerian Warlords and the aliens trading cat food which as a drug-like effect on the aliens for weapons. In the present day an MNU is tasked with controlling the aliens and an officer named Wikus van der Merwe must manage the transportation of aliens to a new camp. While searching the shack of an alien named Christopher he uncovers a cylinder which squirts black liquid on his face. He confiscates the canister and returns to work where he soon begins to feel ill. He eventually passes out during a party at his home and is rushed to the hospital where it is uncovered that is arm has transformed into that of an alien. After this transformation is discovered Wikus is taken into custody where various experiments are performed on him. It is discovered that his is merging with alien DNA and will eventually be transformed completely. The scientists then attempt to harvest his body but Wikus manages to escape. After escaping, Wikus returns to District 9 to hide. He eventually finds

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