Dr Jekyll & Mr Hyde - Contexts Of The Time

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How do the chapters reflect the contexts of the time? Chapter 2 shows reflection of context of the item in the passage of Utterson’s nightmare. “He would be aware of the great field of lamps of a nocturnal city; then of the figure of a man walking swiftly; then of a child running from the doctor's; and then these met, and that human Juggernaut trod the child down and passed on regardless of her screams. Or else he would see a room in a rich house, where his friend lay asleep, dreaming and smiling at his dreams; and then the door of that room would be opened, the curtains of the bed plucked apart, the sleeper recalled, and lo! there would stand by his side a figure to whom power was given, and even at that dead hour, he must rise and do its bidding. The figure in these two phases haunted the lawyer all night; and if at any time he dozed over, it was but to see it glide more stealthily through sleeping houses, or move the more swiftly and still the more swiftly, even to dizziness, through wider labyrinths of lamplighted city, and at every street corner crush a child and leave her screaming.” In that passage, Stevenson has painted out the setting of an urban gothic landscape of Victorian London (dark London). Urban landscape was an aspect of urban gothic, which was a popular genre at the time. Depiction of character also reflects context of the time. Utterson and Enfield have been portrayed as the typical Victorian gentleman (proper and respectable, not ‘gossippy’). “I am ashamed of my long tongue. Let us bargain not to refer of to this again” Another contextual reference is the importance of reputation. For example, Utterson and Enfield’s reluctance to gossip “I am ashamed of my long tongue” and when Enfield is unwilling to disclose information of another respectable man . It is also shown when Enfield and the crowd at the incident of the little girl, were
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