Dorian Gray Essay

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Mid Sweden University Department of Humanities English Studies The Evil in Dorian Gray: A Psychoanalytic Study of the Protagonist in The Picture of Dorian Gray. Rosanna Eklund English C / Special Project Tutor: Joakim Wrethed 2007-02-14 Table of Contents Introduction Previous Research The Victorian Era and Aestheticism About the Author The Psychoanalytic Theory Dorian Gray and the Conscience Dorian Gray and Consciousness Dorian Gray and the Unconscious Dorian Gray’s Path to Degradation The First Cruel Act The Cruelty Continues The Evil in Dorian Gray Redeeming Qualities Conclusion Works Cited 1 2 4 5 6 7 9 10 11 11 13 15 16 18 20 1 Introduction “The telling of beautiful untrue things, is the proper aim of Art” (Oscar Wilde). Oscar Wilde is as famous for his wit and legendary quotes as he is for his texts. In his only novel, The Picture of Dorian Gray, Wilde explores the practical reality of a hedonistic, pleasure-seeking lifestyle without boundaries. During the 1890s, Oscar Wilde was one of the leaders of the so called aesthetic movement in England. In his novel he puts this theory into practice. His attempt makes up an interesting study of aestheticism and decadence, the Late Victorian Era, and of Oscar Wilde himself. In this essay, however, this novel and its protagonist will be analysed from a psychoanalytic perspective with emphasis on Freud’s theories of the psyche. Freud’s psychoanalytic theories deal with the three-part psyche (Barry 97). He claims that the human mind contains the ego, the super-ego and the id; three parts that struggle to catch our attention. Lacan, similarly, acknowledges a struggle in the mind between seeking pleasure and doing good (Lacan 23). The character of Dorian Gray may be used as a prime example to explain the Freudian concepts of the ego, the super-ego and the id (Barry 97). In The Picture of Dorian Gray,
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