Derrida, Deconstruction and Religion:

354 Words2 Pages
Given life during the late '70s to late 80's, Deconstructivist architecture was the result of a young group of architects who became so enriched in the works of Jacques Derrida, that it became the mainstream style amongst architects of then, and still today. Unlike the previous conventional styles of architecture, deconstruction in every sense of the word De-constructed what had previously existed. Modernism and post-modernism paved way for the newly adopted child which broke all the rules that had been set by the elder siblings in the architectural family. According to Derrida (the developer of this movement), Deconstruction has two key elements: the literary and the philosophical. The first aspect deals with how texts can be interpreted and how one may find several hidden meanings in what has been written, so that every possible interpretation can be broken down and understood. The second philosophical aspect is concerned with the primary idea of Deconstruction: the "metaphysics of presence". Derrida argues that it is this exact concept which affects the whole philosophy of Plato (a classical Greek philosopher and mathematician) and beyond. Metaphysics can be defined as the abstract theory or talk with no basis in reality, although Derrida is adamant that the metaphysics of Deconstruction has a physical presence. The strategy of Deconstructivism is to reveal these two aspects and to show that there are undecidable factors involved, or more simply, that there are things that cannot take either side of opposing ideological ends. From this point, Derrida started to look at an alternative avenue (a third aspect if you will) for Deconstruction. This avenue becomes a key factor for shaping the latter part of this essay, and that is the responsibility to the other (i.e. God). Reflecting upon Jewish tradition, Derrida highlights the importance of being mindful in
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