Cupid And Psyche

1081 Words5 Pages
Cupid and Psyche is considered one of the best works by the talented exponent of the Roman school of sculpture, Antonio Canova, 15 of whose works are on display in the Hermitage. Following the fashion of the time and a revived interest in Antiquity, the sculptor depicts an episode from the legend of Cupid and Psyche, in which Cupid brings his dying love back to life with a kiss. The composition is based on smooth rhythmic lines, the harmony of figures and graceful gestures, and it creates an atmosphere of decorativeness. Acquired by Prince Yusupov in Rome in 1796, this sculpture is the second version of the group made by Canova, differing in certain respects from the first, now in the Louvre, Paris. The love affair between Cupid and Psyche is one of the best known classical myths, recounted in the Latin novel The Golden Ass by Apuleius. Many Neoclassical paintings and sculptures derived inspiration from the story. Cupid, lover of the mortal Psyche, forbids her to cast eyes upon him and visits her only at night. Disobeying him, Psyche holds a light over his sleeping body, for which she is punished by Aphrodite. The scene conveyed by this modello is of Psyche being rescued in Cupid's embrace. The original Cupid and Psyche, commissioned in 1787 by Scottish patron John Campbell while on his Grand Tour, was completed in 1793 and is presently at the Louvre. This modello was prepared for Canova's slightly different second version (showing Psyche with butterfly wings) made for Prince Nicola and now in the Hermitage Museum, Saint Petersburg. It was inherited by Canova's assistant, Adamo Tadolini (1788–1868), who used it to prepare additional versions. The metal pins distributed over the surface were inserted to assist the sculptor in transferring the complex group's precise form from plaster to the marble block out of which the final sculpture would be carved, by means of
Open Document