Compare and Contrast of We Are Seven and January 1795

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The tone of a poem is almost always driven by the rhythm and flow of the work. If a poem has a happy and upbeat feel then it is almost always about a happy subject or could even be a nursery rhyme. If a poem is more drawn out and has less lilt to it then it is generally about death and sadness. When it comes to some poems, however, the reader needs to take a closer look into the imagery of the poem to get a better feel for the true tone and what the author is trying to purvey. Imagery is the true indicator of how the tone of a poem should really feel and often gives clues to how the reader should be reading it. January 1795 is an excellent way to showcase that rhythm and flow is not always the way to judge the meaning of a poem as this work has a darker feel within its imagery. We Are Seven is a fairly good contrast to January 1795 because even though the imagery is a little darker the tone ends on a much happier note. It can be argued that the tone of a poem can be judged through the way that they are put together; but this is not always the case and readers need to make sure that they are paying attention to the imagery that authors place in their poems to find the true tone of the work that they are reading. Without taking the two pieces and putting them together a reader will never be able to truly understand the authors meaning and views within a poem. The way the January 1795 starts out is by showing the reader a panoramic view of a London street. Mary Robinson starts off her moment captured in words poem by saying, “Pavement slipp’ry, people sneezing, Lords in ermine, beggars freezing; Tilted gluttons dainties carving, Genius in a garret starving.” (79,1-4) This is a very real world look at a moment in time, a place that could easily have been observed back in the late 1700’s or even possibly today. It gives the reader a peek into the time when the poem was
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