Film Essay Describe an important idea in the text and explain how verbal and/or visual techniques help you understand the idea. Conformity and non-conformity is a key idea used in the film “10 things I hate about you” directed about Gil Junger. A film which is based on Shakespeare’s “Taming of the Shrew” but transformed into a modern 21st century version. The idea is affectively used in order for the audience to gain a thorough understanding of the directors purpose, to present the issue of conforming in today’s society. The theme was extended through the use of verbal and visual techniques of music, costume and dialogue.
In Watching TV makes you Smarter Steven Johnson uses the hit TV show “24” to support his thesis stating that TV makes you smarter. He thinks that to keep up with an intense TV show like “24” you have to “pay attention, make inferences, track-shifting social relationships” (279). Johnson disagrees with the popular notion on that the “sleeper curve” is the single most important new force altering mental development of young people today. Steven Johnson takes a roll of teaching journalism at New York University and serves as a contributing editor for Wired. He also writes a monthly column for Discover.
I. Profitable prospects of buying movie sequel rights Arundel Partners came up with the innovative idea of purchasing the sequel rights for the entire production of films produced by one or more major U.S. movie studios before the first film is even under production. Then the company could take advantage of the special characteristics of the movie industry. For example, Arundel Partners could track the box office performance of the first movie after it was released for a few weeks in theaters and could then predict if the sequel would be profitable or risky--depending on how much moviegoers liked the original. In other words, Arundel Partners structured their investment as a call option; the purchase of the sequel rights allows the
Cineplex’s corporate mission focused on offering movie goers “an exceptional entertainment experience”. In order to stay competitive in 2005 Cineplex expanded its strategy to focus on developing new markets, they used the theaters large screens to showcase live events such as hockey games, wrestling matches etc. Sarah Lewthwaite, marketing director for Cineplex Entertainment had some dilemma and needed to answer to some questions prior to committee’s meeting the following week. She had to decide, which loyalty partner the company should use, how the rewards should be structured and promoted, what promotion campaign should the company use. 2.
This can change the readers’ perspective, as they have a direct connection to the main character in the novel. The Catcher in the Rye is a valuable piece of literature that can help teach children across the globe the value of education even when failure seems inevitable. The main conflict in The Catcher in the Rye is Holden’s struggle versus society. The novel is based around Holden’s struggle to find his place in life among schools such as Pency Prep. Many young people across the world are in the same struggle, trying to find their place in life, and constantly struggling upstream against society.
“For the spectator it is the threshold between her/his world and that of the film; for the film it is the threshold between myth and reality, and for the actor, it is the threshold between role and image.” (FT p.36) This type of symbolism has been used in classical Hollywood cinema since it began. What is so interesting about this chapter comes from a neo-formalists point of view; as a screen, door and threshold, Cinema is guiding the audience through their world with more than one main points of entry. Since neo-formalists see their audience/spectators as more than passive subjects, but as “acting contributors” and they contribute “substantially to the final effect of the work.” David Bordwell, a fellow neo-formalist, also enlists the help of “ideal spectators”
The motion picture has been affecting society for over a century, and will continue to impact us and future generations. In the movie Castaway “Tom Hanks plays an every-man, cast into disaster, struggling for survival in a fight against a slow slip into madness and a struggle to find a reason to live” (NYtimes). Castaway is the epitome of the excitement a film can give an audience, with each new scene comes another unanticipated event that leaves the viewer wanting more. Each dramatic affair is interwoven with a deeper meaning on the struggles of life, that even in the toughest of circumstances to never give up hope. The film opens with Chuck Noland (Tom Hanks) being “ripped out of his hasty life in a plane crash” to find himself alone on the shores of a deserted island.
There are also economic and legal factors: Shakespeare is helpfully outside copyright law as well as interesting to adapt. Shakespeare on screen gradually became part of the establishment, reflecting its growing academic respectability. Shakespeare on screen is now in its second century and the reasons why Shakespeare has so long been considered adaptable have been variously discussed. According to Robert Hamilton Ball, Shakespeare’s dramas were considered ideal material for cinema in the early 20th century because the presence of Shakespeare on film raised the contemporary estimation of film. A successful adaptation of Shakespeare must then convey an anxiety of influence (Adaptation form Text to Screen, Screen to Text) P 31) an awareness that the reproduction is both dependent on and
Demasio Timmons Dr. Capers English 101 September 7, 2014 The Presence of Film Art in Pride and Prejudice Throughout filmmaking, a genre is first utilized and expounded upon to please the masses. Yet, a combination of multiple genres creates a more innovative film, especially if it is your personal opinion of a preceding work. Joe Wright’s cinematic rendition of Jane Austen’s Pride and Prejudice is a compilation of the drama and epics-historical genres; the attributes that comprises it is divided into multiple subgenres—literary and costume dramas. Originally, drama genres exhibit the fallacies of modern human life, showing the extents of human emotion at its best and at its worst. The drama genre in its entirety exists within the film Pride and Prejudice.
What people see and hear about something can change their whole aspect on an idea. Filmmakers and producers have a large amount of power in this sense because they can engrave thoughts of a certain issue, or even people, to their audience just by the way they portray these things in their films. In the 1960s, the movement of civil rights was fresh in the minds of American citizens. Towards the end of the 1950s, Martin Luther King, Jr. became a major leader in the civil rights movement. He wanted to end segregation in a peaceful, nonviolent matter.