Both Shakespeare and Keats present the negative experiences of people in love by using pathetic fallacy. In Act one scene one of Romeo and Juliet, Montague describes how Romeo ‘locks fair daylight out/And makes himself an artificial night.’ This phrase ‘locks fair daylight out’ suggests that Romeo is in morning because his love is unrequited. ‘locks’ could suggest that he has cut himself off from love and happiness altogether because he is no longer loved by the women he wants, he could also be suggesting that he no longer wants to see anybody because of his broken heart. ‘Daylight’ demonstrates life and happiness however Romeo locking himself out of daylight means he is no longer happy and would rather be in depressed than go looking for another women. The phrase ‘artificial night’ might suggest that Romeo is always sleeping and barely leaves his room.
MIGRANT HOSTEL A tone of instability and insecurity is set within the first stanza where the accumulation of the nouns “comings and goings”, “arrivals” and “sudden departures” suggests a sense of chaos and highlights the lack of stability within the poet's life. The use of enjambment of “wondering/ who would be coming next” allows the emphasis to fall heavily on “who”, illustrating the transient nature of the hostel environment and putting emphasis on the uncertainty of who is to arrive next. This constant change becomes unsettling and prevents the poet from finding a place of belonging and further hindering his self-identity, leaving him lost and confused. The physical and emotional divisions set up by different nationalities is further
Some of us who have been in love know what it is like to lose someone, which is why we are also able to relate to the depression and sadness that surrounds it. While reading the first two stanzas, the reader is able to imagine a man approaching a knight, and asking why he is so sad. The speaker asks, “O what can ail thee, knight–at–arms, So lone and palely loitering? The sedge has wither’d from the lake, And no birds sing.” (Clugston, 2010). After this we are able to picture a lonely knight, who is very pale and weak.
On the other hand, Tennyson depreciates the soldiers, making them seem idiotic with phrases such as ‘Some one had blunder’d’. This causes the reader to feel sympathy for them, as it mentions their death at the end of the stanza, so it gives the impression that they know no better. Another difference is cause by repetition. In ‘Futility’, the poet refers to the image of being awoken using the words ‘woke’, ‘awoke’, and ‘rouse’. This gives the impression that there is still hope for the soldiers which induces a sense of optimism within the many feelings of the reader; which could also be motivation to read the rest of the poem.
The Catcher in the Rye Mixed Tape Project 1. Unwell by Matchbox 20 This song is significant because the character in the song talks about not having a lot of friends and also talks about being an outcast. All of these things describe Holden and reflect his personality, since he finds it hard to make friends with others because he sees them all as being “phony.” Important lyrics: “Making friends with shadows on the wall” “I’m talking to myself in public, dodging glances on the train” 2. Talk by Coldplay In this song, the lead singer is describing how after a drug addiction he moved to a different city to start a new life. This is like Holden because after being kicked out of school, he went to the city to figure out what to do next.
Harwood then says ‘They suffer’, emphasised by the short syntax. This sentence is ambiguous as to who’s suffering; the people or the composers themselves as Kröte is adding his own elements or 'variations' to the music. Kröte’s intentions are stressed with the alliteration of ‘malice’ and ‘more’, as he delights in reversing the power in society by playing his music badly and having no one notice. He even plays the repeats of the pieces through, just to add to the length of his performance, even though in the fifth stanza, the narrator tells us that 'he was expected to perform something short and sweet'. The use of the word ‘expected’ is important, as it shows how Kröte, in not doing what was expected of him, is in defiance of society.
Even when Osborne is killed, the relationship between the two is still remembered as Raleigh misses his celebration meal and does not feel in the mood for eating. This is shown when Raleigh is arguing with Stanhope and says ‘Good God! Don’t you understand? How canI sit down and eat that – when – (his voice is nearly breaking) – when Osborne’s – lying – out there -.’ The stage directions give the audience the intense feeling Sheriff was trying to create of sorrow and anger. I believe Raleighs tone really shows how much Osborne meant to him in the few days he had known him.
One of which includes sleeping. Sleeping is the body’s way of regenerating to prepare for the next day. Those with trouble sleeping have a harder time with staying active, and productive during the days that follow. There are many ways people choose to help with falling asleep, and musical therapy is definitely at the top of that list. Science has proven that listening to calming music improves sleeping habits that is why it is chosen above other forms of sleep medication (Healing Power of Music).
While her getting worse than before, it dramatically shows the procedure of being enlightened in case of rising of female powers. There are several evidences that may represent narrator’s mental instability and they seem to be originated from John’s oppressive way to treat her. The narrator is afraid that John doesn't seem to understand her state fully enough. "Personally, I believe that congenial work, with excitement and change, would do me good." (1279) She knows doing her favorite work―writing―and traveling around beautiful places may be helpful to recover her nervous hypochondria, but she just tries not to make John irritated by doing nothing.
Gaffney highlights John’s alienation because of the new world’s discouragement for Shakespeare. The awkward situation leaves him embarrassed, beginning his isolation from modern society. John’s entire life has been spent in solitude reading Shakespeare. Suddenly immersed in a society in which his behavior is completely taboo, John finds himself even further separated from the community than he was on the reservation. Bernard observes that John may never be able to completely assimilate into this environment, “partly on his interest, being focused on what he calls ‘the soul’ which he persists in regarding as an entity independent of the physical environment” (158).