In “The Minister's Black Veil” Mr. Hooper, while talking to Elizabeth explains “If I hide my face for sorrow, there is cause enough...” (Hawthorne 447) In other words Mr. Hooper has no choice but to comply for his sin by wearing the veil. And in “Sinners in the hands of an Angry God” Jonathan Edwards tell his congregation that hell is the place one will go if they commit a sin. Edwards describes with vivid details “ it is a great furnace of wrath a wide and bottomless pit, full of the fire of wrath, that they are held over in the hand of that God, whose wrath is provoked and incensed as much against you, as against many of the dammed in hell”. Saying that hell is where God will send the helpless evil
Jonathon Edwards bone chilling sermon “Sinners in the Hands of an Angry G-d” invectively sheds light on the impending doom that awaits “all men that were never born again” in the image of Christ, thought the use of tone. To remove Edwards unnerving diction would completely transform not only the tone, but his message resulting in a much less effective sermon. Edwards begins his bloodcurdling sermon through the use of parallel structure. “The devil is waiting for them, the flames gather and flash about them…” implies that the time of reckoning is upon them and could strike at any moment. The omen already set forth creates an atmosphere that they, the “natural men” should be trembling in their seats just at the mere mention of G-ds wrath.
The whole kingdom is stricken with disease and hardships. People are starving, dying, and pleading to the gods to take away their sorrows. “ And now, Oedipus, power to whom all men turn, we beg you, all of us here, in supplication - find some relief for us!” (Page 7) Dramatic Irony: Find two examples
In the Lord of the Flies, Jack has been trying to destroy Ralph since chapter 1 because he wanted power. “He’s like Piggy. He says things like Piggy. He isn’t a proper chief” (112). Jack is telling the boys that Ralph is a coward and doesn’t deserve being leader.
Pulpit thumpers decry that religion is dead in America and that a revival must sweep the nation soon lest we suffer the fiery annihilation of Sodom and Gomorra. These doomsday prophets are wrong. Religion is alive and well. As Francine Prose renders in her acute and trenchant essay “The Wages of Sin,” the Supercilious Fat Police and their acolytes who look upon fat people as a breed of bloated sinners have co-opted religious language and metaphor to divide society into two sides: The reedy svelte souls bound for heaven and the scandalously obese souls bound for hell. To reinforce this polarization, the Fat Police, and even self-loathing fat people themselves, assert big government micromanagement of “fat behavior,” so that there are fat taxes imposed on lovers of movie popcorn, colossal burritos, super-sized buckets of ice cream and soda, and other foods that pose a threat to one’s salvation.
Sinners in the Hands of an Angry God Sermon by: Jonathan Edwards Rhetorical Device Recognition Project Tone Used: Hostile Words that describe tone: * Damned * Wrath * Rage * Abominable * Wicked 2 Examples of: * Antithesis -“To see so many rejoicing and singing for joy of heart, while you have cause to mourn for sorrow of heart, and howl for vexation of spirit!” -“There will be no end to this exquisite horrible misery.” * Metaphor- -“The bow of God’s wrath is bent, and the arrow made ready on the string...” -“You have offended him infinitely more than ever a stubborn rebel did his prince; and yet it is nothing but his hand that holds you from falling into the fire every moment.” * Extended Metaphor- -“The God that holds you over the pit of hell, much as one holds a spider, or some loathsome insect over the fire, abhors you, and is dreadfully provoked: His wrath toward you burns like fire; He looks upon you as worthy of nothing else but to be cast into the fire; He is of purer eyes than to bear to have you in His sight; you are ten thousand times more abominable in His eyes than the most hateful venomous serpent is in ours. You have offended Him infinitely more than ever a stubborn rebel did his prince; and yet it is nothing but His hand that holds you from falling into the fire every moment. It is to be ascribed to nothing else, that you did not go to hell the last night; that you was suffered to awake again in this world, after you closed your eyes to sleep. And there is no other reason to be given, why you have not dropped into hell since you arose in the morning, but that God’s hand has held you up. There is no other reason to be given why you have not gone to hell, since you have sat here in the house of God, provoking His pure eyes by your sinful wicked manner of attending His solemn worship.
O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me. (Julius Caesar, 3.2 102-109) At this point Antony turns around and pretends to cry, enrapturing the audience with his sudden flood of emotion. This leads to an uproar, with the mob slowly turning against the
Victor waves his fist around and threatens to attack the monster, but is able to avoid Victor with his speed. The monster claimed to be a virtuous creature, until the actions of humans made him miserable. “All men hate the wretched; how then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us.” (Vol. II Chapter II, Page 117).
* Simon Legree: A cruel slave owner whose name has become synonymous with greed. His goal is to demoralize Tom and break him of his religious faith; he eventually orders Tom whipped to death out of frustration for his slave's unbreakable belief in God. The novel reveals that, as a young man, he had abandoned his sickly mother for a life at sea, and ignored her letter to see her one last time at her deathbed. He sexually exploits Cassy, who despises him, and later sets his designs on Emmeline. III.
A powerful ambition for power caused him to make sinister decisions that created for him only despair, guilt, and madness. At the end of the play he was no longer honourable and, instead, a tyrant. Meanwhile Faustus loses his entire academic prowess and ultimately is pulled into hell by the choices he made to go against God, his conscience and Nature. Macbeth has an immediate consequence of his actions and that is his death in the plays final scene. Throughout the course of the play we see how he changes from ‘Valour’s minion’ to his death and a ‘Butcher’.