An Analysis of Macbeth

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An analysis of Macbeth In Macbeth, Shakespeare is not only a writer but also a player. Unlike a player in those times, being an actor, Shakespeare is a player of emotions. He does not only experiment with the emotions of his characters, but also dabbles into the readers emotions. Shakespeare achieves this vehemence in his audience by the employment of figurative imagery. Looking at imagery as a literary term, is has a known denotation of being a representation of a sense, impression,feeling or idea which appeals to one or more of our senses. It is found in different forms; tactile, aural, olfactory, visual and gustatory imagery. The overall purpose of imagery is to recreate emotions, and thus if used well , evoke certain emotions out of an audience. This objective matches Shakespeares aspiration in Macbeth, to induce feeling in his audience, which is thus his encouragement to employ imagery in the dramatic text. Upon closer analysis of the text, one can find clear examples of Shakespeares use of the dramatic tool. These are normally closely associated with the themes of the play, ergo giving imagery another important function in expanding, yet also identifying and clearly outlining the various motifs in the drama. Examples of these are darkness and blood. Darkness controls Macbeth, bestowing itself as a major theme. Shakespeare makes references to darkness throughout the entire play. He in fact links it closely with another theme of deceptive appearances. Now perhaps somewhat cliche, yet for the period excitingly new and vivid, and only too appropriate, Shakespeare uses darkness to illustrate evil and maliciousness in a character. He does this in many ways. Shakespeare glamorises Macbeths castle, ornamenting it with darkness, to become the nowadays famous hollywood castle, coated in black but with a strike of lightening in its

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