A Comparison Between Hamlet And The Hedgehog

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Consuming, inhaling, recuperating, and dying are all necessary for living. We all begin and inevitably have to come to the same end—death—no matter what we accomplish in the span of our life. “Alexander died, Alexander was buried, Alex-/ander returneth to dust,” and “there [was] no sign of the groundhog” after three years past from its death: whether you are as significant as Alexander the Great or as simplistic as the groundhog, death will claim your life, leave nothing to remain and life around you will continue; a theme captured by both Shakespeare in Hamlet and Eberhart in The Groundhog (5.1.216-217) (42). A father’s murder, an uncle and father’s killer quickly wed to a mother, and a loved one whose death is questioned to be suicide all lay heavy and Hamlet’s shoulder’s. “To be or not to be—that is the question,” to exist or not to exist is the question Hamlet faces as a series of unfortunate events weigh down his soul (3.1.64). Hamlet wants to end the pain by bringing death to himself, but thought leaves him with out action—“thus conscience does make cowards of us all,/ and thus the native hue of resolution/ is sicklied o’er with the pale cast of thought…/ with regard their currents turn awry/ and loose their name of action” (3.1.91-96). Death to him, he sees, is inevitable but he can’t seem to accept the thought of going into an unknown and endless sleep in which “no traveler returns” (3.1.88). Realization that death is inevitable no matter what life you’ve lived faces Hamlet once more as he gazes upon Yorick’s skull, remembering that “he hath bore me (Hamlet) on his back a thousand times” and now the only thing left of him is not his jokes or the laughter but a mere skull that too will soon become part of the earth, like Alexander the Great who, no matter how ‘great’ he was, he no longer is. Shakespeare then captures the essence of life’s cycle when
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