The Harlem Renaissance: A Cultural Flowering

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The Harlem Renaissance The dates for the Harlem Renaissance were 1919-1940. The phrase “A Cultural Flowering” means the specific culture of an area that has developed, grown, and advance over time and including the factors that led to it. The term Harlem Renaissance has remained popular because most scholars and students agree that the 1920s was a decade of extraordinary creativity in the arts for black Americans. The common source of the creativity of black America was the “irresistible impulse of blacks to create boldly expressive art of a high quality as primary source to their special conditions...” The special conditions consist of an affirmation for dignity and humanity in the face of racism and poverty. The Negritude Movement…show more content…
Johnson offered black writers the challenge of being linked to other cultural movements around the world like the Irish or Czech, national ethnic pride. The major American poets who exerted any particular degree of influence on the Harlem Renaissance were E.A Robinson and Carl Sandburg. The significance of Alain Locke's anthology was how it combined work from both black and white writers and raised racial awareness with a desire for literacy and art. Jean Toomer's Cane significance is the illustrations of several of the peculiar challenges and opportunities of the nascent movement. The content of Jean Toomer's Cane consisted of high volumes of poems that opened with evocative portraits of black south to blacks in northern cities. Then he would return to the south with a drama about a black northerner by violence from the hands of whites. The first young writers born by the movement accepted Toomer and his challenge to them as artist were Cullen and Hughes. The impact of the writers was the making musical forms of blues and jazz compatible with formal
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