On the Waterfrot Poverty

312 Words2 Pages
Elia Kazan’s ‘On the Waterfront’, set in 1954 in Manhattan, is a film depicting the enormous social gaps between the poor and the rich. The poverty, in which the longshoremen live in this film, is cleverly depicted by Kazan in the clothes they wear, the smog-filled, and dirty setting in which they work and the way in which they are controlled by men, such as Johnny Friendly, whose social class is well above their own. Leonard Bernstein’s soundtrack throughout the film cleverly accompanies Kazan’s cinematography and assists the viewers in developing understanding and empathy regarding the unjust poverty in which these dockworkers live. The setting in which Kazan introduces the dockworkers to the viewers immediately depicts the poverty in which they live. The smog filled, dirty environment in which these men stand, slouching and hunched over, enables the viewers to see the unhappiness present on the Waterfront. The extreme cold, in which this film was shot, enables us to see the breaths of the dockworkers which suggests the extremely harsh conditions they work in and the harshness with which they are treated. Another way in which the longshoremen’s poverty is depicted is through the clothing they were. When Pop Doyle brings Dugan Joey’s jacket, due to his ‘having more holes in it than the Pittsburgh infield’, we are drawn to the details of the men’s holey jackets, and inability to afford new ones to keep them warm. This again demonstrates the amount of poverty in which they live. The hats worn by the men also act as emphasis of their social status, with Johnny Friendly and his mob wearing smart top hats compared to the dockworkers who wear beanies or in some cases no hats at all. The clothes and hats which the mob wears are bought out of the dockworkers money, emphasising the hierarchy that stands on the
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