Mike Kelley Essay

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MoMA presents Mike Kelley’s Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene), the first work of his “Extracurricular Activity Projective Reconstruction” series, in which he takes high school yearbook or news photographs from the ’60s and ’70s and re-envisions and expands their context, incorporating somberly comical dialogue and music to create narratives of abuse whether domestic, social or sexual. Through these works, Kelley persistantly attempts to reconsider what is acceptable. This particular work is a half-hour film inspired by a black and white photograph of a school play found in a high school yearbook, showing two young boys standing on a stage, an unmade bed and an open oven divulging a sloppy and messy domestic scenery. This still image brings about Kelley's themes of memory deterioration and supressed memories of school experiences. Through Extracurricular Activity Projective Reconstruction #1, Kelley examines the psychologically agitated relationship between two men, set in a room centered around a gas stove playing out a dynamic and paranoid relationship of sympathy and torture, guilt and suicide in order to construct a narrative to fill in the blanks. I believe this video, also rather troublesome, abusive and ludicrous, still aludes to ordinary and habitual cultural events. It seems as though drama and theatrical performances are used as an allegory to social rituals, shared cultural experiences, trauma and deviance. The protagonists' unsettling, perturbing and even melodramatic relationship, where one is perpetually subjugated by the house owner, who himself attempts to claim his dominance but fails repetitively, creates a slightly disturbing yet fascniating demonstration of complex power

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