Masculinity in King Solomon's Mines

1389 Words6 Pages
Haggard compares and contrasts three of his main characters: Good, Curtis and Ignosi to convey a universal idea of masculinity. Their respective appearances hint at their personality traits, such as nobility and warrior-ness, which would indicate masculinity. A hierarchy between the three is constructed based on their physical appearance; their “station” is written on their bodies. Regardless of racism at the, Haggard portrays Ignosi as more of a man than Good. This suggests that masculinity is achieved not by those who thrive in modernity but by those who have inherent nobility and are able to connect to and revert back to their primitive warrior roots. In contrast to Curtis and Ignosi, who represent Haggard’s idea of masculinity, there is Captain Good, who represents the modern man. Good is portrayed as “broad, of medium height, dark, stout and so very clean shaved, and he always wore an eye-glass in his right eye” (13). Good’s medium height places him below Curtis and Ignosi on the “totem of manliness”. In contrast to Curtis’s “big blonde beard,” Good is clean-shaven. By shaving his beard Good is repressing his masculinity in favor of appearing well kept and modern. The eyeglass he wears contrasts Curtis’s large grey eyes; he is less readable than Curtis as the eyeglass is a type of obstruction between him and others. The eyeglass, along with his fake teeth, indicates Good’s reliance on modern technology. Good is also a captain of the Navy, the modern equivalent of Curtis’s noble warrior heritage and Ignosi’s kingship. He is called a “gentleman” by Quartermain instead of a “man” due to his service in the Navy, “stationing” him within a modern system. Good is unable to achieve masculinity, even when given a chance to “revert” back and become a warrior. He holds himself back by attempting to maintain his modern, “civilized” appearance. Upon observing

More about Masculinity in King Solomon's Mines

Open Document