Macbeth, Act 1 Scene 7

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Macbeth: Act 1 Scene 7
Upon thorough analyses of the play Macbeth, the many themes and techniques that play a role in the bloody outcome become apparent. Throughout Act 1, these themes and techniques are made evident. One such technique, key transformations in characters, is of great importance because it contributes to the play’s disastrous end. It is here in Act 1, where we first see Macbeth’s transformation of character; his ambition begins to increasingly influence his character, and he questions his conscience and then chooses to ignore it. Similarly, it is also in Act 1 where we see Lady Macbeth become more and more dominated by her ambition, thus transforming her character. She also uses the technique of persuasion in order to persuade Macbeth to commit murder in her efforts to become queen. Additionally, Act 1 portrays the theme of deception, which is a theme that reoccurs throughout the play. This theme of deception, along with the techniques of character transformation and persuasion, are necessities to the plot of the most enthralling Macbeth.

The character of Macbeth experiences an almost complete transformation from a proud and loyal warrior to an ambitious, plotting and determined man. This transition happens most fully in Act 1, Scene 7 yet Macbeth shows potential for change much earlier in the play. For instance, in Act 1, Scene 4, lines 48-49, Macbeth says, aside, “The Prince of Cumberland: that is a step / On which I must fall down…” Here, Macbeth learns of King Duncan’s plans to make Malcolm, not Macbeth himself, his heir. He therefore vocally expresses to himself for the first time, that he must take drastic and dark measures if he wants to become king. Yet at this stage, he is still in a tug-of-war with his conscience, when he states, “Let not light see my black and deep desires,” (1.5.51). Here, his comprehension of the moral
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